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Basilica Saint-Benoît-Labre à Marçay dans la Vienne

Vienne

Basilica Saint-Benoît-Labre

    5 Chemin de la Ragondilière
    86370 Marçay

Timeline

XIXe siècle
Époque contemporaine
1900
2000
1884
Start of work
1895
Partial completion
1899
Conclusion of work
2011
MH classification
Aujourd'hui
Aujourd'hui

Heritage classified

The basilica, including its sacristy, in full (Box C 620): inscription by decree of 4 January 2011

Key figures

Jean-Baptiste Perlat - Initial architect Author of the first plans.
Alcide Boutaud - Senior Architect Replies the project, characteristic style.
Abbé Jouanneau - Project Initiator Sponsor, died in 1899.
Georges Lavergne - Master glassmaker Author of the stained glass of the choir.
Georges Rouzeau - Artist Manufacturer of the altar.

Origin and history

The Basilica of Saint-Benoît-Labre, located in Marçay (Nouvelle-Aquitaine), was built between 1884 and 1899 according to the original plans of architect Jean-Baptiste Perlat, quickly replaced by Alcide Boutaud. The latter applied characteristic stylistic processes, such as the contrast between interior and exterior or the dematerialization of the walls, visible in the single nave with a split plane and the lateral chapels. The exterior bell tower also illustrates its architectural approach.

Work began in 1884 with the completion of the nave and side cloisters in 1895. The glass windows of the choir, made by master glassmaker Georges Lavergne, as well as the altar designed by Georges Rouzeau, were installed during this period. Upon the death of Abbé Jouanneau, initiator of the project, the works ceased permanently in 1899, leaving the basilica unfinished. It was listed as a Historic Monument in 2011 for its entire collection, including sacristy.

The building reflects a period of religious architectural renewal in France, where church sponsors, like Abbé Jouanneau, played a central role in promoting an innovative sacred art. Local artisans, glassmakers and sculptors, collaborated on ambitious projects combining tradition and modernity, as evidenced by the contributions of Lavergne and Rouzeau. The basilica remains a notable example of this unfinished heritage, typical of the financial and human challenges of the time.

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