Presumed construction 1770 (approximative) (≈ 1770)
Date advanced by Marin and Piquard-Péguet
9 mai 1921
Historical monument classification
Historical monument classification 9 mai 1921 (≈ 1921)
Official Protection Order
1925
Restoration of the bridge
Restoration of the bridge 1925 (≈ 1925)
Preservation work carried out
1966
Turn of *La Grande Vadrouille*
Turn of *La Grande Vadrouille* 1966 (≈ 1966)
Decorating a movie scene
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Bridge on the Cure (old): by order of 9 May 1921
Key figures
Marin et Piquard-Péguet - Local historians
Authors of the hypothesis of 1770
Vauban - Military engineer (uncertain assignment)
Referenced as possible manufacturer
Gérard Oury - Director
Used the bridge in his film
Origin and history
The bridge over the Cure, also known as the "bridge of Ternos", is an emblematic work located in Pierre-Perthuis, Yonne department. It spans the Cure River at the narrowest point of its course, near the village. Its structure on the back of a donkey, its original cobblestones and its still visible wheel-hunters testify to a careful construction, typical of old bridges. Although its exact date of construction remains uncertain, some historians such as Marin and Piquard-Péguet place it around 1770, while others evoke an older origin, sometimes attributed to Vauban, without definitive proof.
Ranked as historic monuments by order of 9 May 1921, the bridge was restored in 1925 to preserve its state. Its picturesque character and authenticity have made it a popular place, especially as a cinematic decor: it appears in Gérard Oury's La Grande Vadrouille (1966). Today, owned by the municipality of Pierre-Perthuis, it remains a symbol of local heritage, mixing history, architecture and popular culture.
The Yonne region, in Burgundy-Franche-Comté, was historically a crossroads of trade and river transport. Bridges played a crucial role in connecting villages and facilitating exchanges, especially in rugged areas such as the Cure valleys. This type of work, often built of stone, also reflected local engineering know-how, adapted to the geographical constraints and needs of rural or artisanal communities.
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