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Calvary altar of Nanthiat en Dordogne

Patrimoine classé
Patrimoine religieux
Calvaire

Calvary altar of Nanthiat

    Sur la place publique
    24800 Nanthiat
Ownership of the municipality
Calvaire-autel de Nanthiat
Calvaire-autel de Nanthiat
Calvaire-autel de Nanthiat
Calvaire-autel de Nanthiat
Calvaire-autel de Nanthiat
Calvaire-autel de Nanthiat
Calvaire-autel de Nanthiat
Calvaire-autel de Nanthiat
Crédit photo : Père Igor - Sous licence Creative Commons

Timeline

Bas Moyen Âge
Renaissance
Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
1300
1400
1500
1600
1900
2000
XIIIe siècle
Initial construction period
XVe siècle
Period of construction or modification
1926
Historical Monument
Aujourd'hui
Aujourd'hui

Heritage classified

Calvary altar, on the public square: classification by decree of 21 October 1926

Key figures

Dame Henriette de Foucaud de Lardimalie - Commemorated Defunte Re-used burial in altar stone.
Chevalier d’Aydée - Father of Henriette Mentioned on the re-used epitaph.

Origin and history

Nanthiat Calvary altar is a small monument composed of a stone altar topped by a cross decorated with a crucifix and two seated characters. These figures are backed by a crenelated structure evoking a strong castle. Although its construction was attributed to the 13th and 15th centuries, its present appearance could date back to the 16th century. It was originally used as a cemetery cross before being reused as a tomb.

The altar stone is in reality a re-used funerary slab, bearing the epitaph of Dame Henriette de Foucaud de Lardimalie, identified as the daughter of the knight of Aydea and Aissé. This re-use illustrates current material recovery practices in religious or memorial monuments in the Middle Ages. The altar-calvary, classified as Historical Monument by decree of 21 October 1926, now belongs to the commune of Nanthiat.

Located on the public square of the village, this monument reflects both a religious dimension, with its cross and altar, and a memorial function, linked to its subsequent use as burial. His iconography, mixing Christian symbols and representation of a strong castle, suggests a link between seigneurial power and local devotion. The accuracy of its location is considered satisfactory, although its exact address varied between the public square and a place called Le Château.

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