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Chapel of the cemetery of Saint-Junien en Haute-Vienne

Patrimoine classé
Patrimoine religieux
Chapelle gothique
Haute-Vienne

Chapel of the cemetery of Saint-Junien

    Cimetière
    87200 Saint-Junien
Chapelle du cimetière de Saint-Junien
Chapelle du cimetière de Saint-Junien
Crédit photo : Wapakk - Sous licence Creative Commons

Timeline

Bas Moyen Âge
Renaissance
Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
1400
1500
1600
1700
1800
1900
2000
fin XIIIe siècle
Construction of the choir
1640
Baroque enlargement
1741
Closed underground chapel
30 novembre 1994
Historical Monument
Aujourd'hui
Aujourd'hui

Heritage classified

Chapel (see AE 209): entry by order of 30 November 1994

Key figures

Confrérie des Pénitents bleus de saint Jérôme - Expander Head of the nave in 1640.
Évêque de Limoges - Religious Authority Ordained the closure in 1741.

Origin and history

The chapel of the cemetery of Saint-Junien is a small religious building composed of a semi-circular bedside choir dating from the late 13th century. This first medieval element was enlarged in 1640 by the addition of a larger rectangular nave, reflecting the architectural evolutions of the Baroque era. A square turret, integrated in the southeast corner, serves as both a stairwell and a bell tower, illustrating a functional adaptation of the building.

The 17th century enlargement was commissioned by the brotherhood of the Blue Penitents of St Jerome, who installed a meeting room in the gallery. The west facade, rebuilt at this time, reused the original 13th century door, reflecting a desire to preserve ancient elements. Under the chapel, an underground chapel was murmured in 1741 on the orders of the bishop of Limoges, because of the superstitious practices that were taking place there.

Inside the chapel is a cradle vault decorated with paintings, only fragments of which remain today. Classified as a Historical Monument by decree of 30 November 1994, it now belongs to the commune of Saint-Junien. Its history thus combines medieval heritage, baroque transformations and local religious issues, reflecting the cultural and social developments of the region.

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