Reactivation of the bagne 1792-1811 (≈ 1802)
Second phase of use after obsolete.
1770-1854
Period of activity of the bagne
Period of activity of the bagne 1770-1854 (≈ 1812)
a maximum of 200 fora housed for port work.
1851
Start of closure
Start of closure 1851 (≈ 1851)
Deletion of the free port begins the end.
août 1887
Transfer of the last detainees
Transfer of the last detainees août 1887 (≈ 1887)
66 men and 10 women relocated.
16 septembre 1943
Historical monument classification
Historical monument classification 16 septembre 1943 (≈ 1943)
Protection of facades and roofs.
début XXe siècle
End of military use
End of military use début XXe siècle (≈ 2004)
Transformation into barracks and then abandonment.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Facades and roofs: inscription by decree of 16 September 1943
Key figures
Maison de Savoie - Sponsor
Order the construction of the bay.
Origin and history
The Lympia Barracks, originally called the Nice Bagne, was built at the end of the 18th century under the impulse of Savoy's house. The long visible stone building, known as "Lou barri lonc" (the long wall) in Nice, was designed to house for the port's work. It linked two two-storey pavilions. Today, only the north pavilion, with its bell tower, and the lower gallery remain.
The bagne, operational between 1770 and 1854, could accommodate up to 200 prisoners. He had a first period of activity until 1792 and was reactivated from 1792 to 1811. Its gradual closure began in 1851 with the abolition of the free port. The last 76 prisoners (66 men and 10 women) were transferred in 1887 to the new prison in Nice. The site then became a military barracks until the early 20th century.
Ranked a historic monument in 1943 for its facades and roofs, the former bagne now houses the Yacht Club of Nice and the National Society for Rescue at Sea. Its heritage inscription underlines its role in the prison and port history of the region. The preserved remains, such as the north pavilion and the gallery, bear witness to its original utility architecture.
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