Construction of casino 1922-1923 (≈ 1923)
Directed by Roger Barreau, Art Deco style.
1942
Decorative renovation
Decorative renovation 1942 (≈ 1942)
Replacement with a neo-provencal style.
1993
Abandonment of the building
Abandonment of the building 1993 (≈ 1993)
End of operation.
16 janvier 1995
Registration for historical monuments
Registration for historical monuments 16 janvier 1995 (≈ 1995)
Temporary casino protection.
décembre 2002
Demolition permits
Demolition permits décembre 2002 (≈ 2002)
Authorization for destruction granted.
avril-mai 2003
Casino Demolition
Casino Demolition avril-mai 2003 (≈ 2003)
Definitive destruction of the building.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Key figures
Roger Barreau - Architect
Directed the construction in 1922-23.
Botinelly - Sculptor
Author of the bas-relief Provençal.
Courrèges - Architect
Modified the decor in 1942.
Origin and history
The city casino in Aix-en-Provence was built between 1922 and 1923 as part of an ambitious project to revive local thermalism. This project included a spa establishment, a palace hotel, a park and the casino itself. Directed by the Parisian architect Roger Barreau for the Société Immobilière, the building was based on a reinforced concrete frame and was decorated with Art Deco-style staff decorations, complemented by trompe l'oeil pilasters imitating marble. In 1942, the architect Courrèges changed this decoration to a neo-provencal style, still visible until its demolition.
A bas-relief signed by sculptor Botinelly, representing a frieze of provencal dancers, decorated a casino fireplace. The building, owned by the commune, was abandoned in 1993, disused in 2002, then registered for historical monuments in 1995 before being demolished in 2003. Despite this temporary protection, it was demolished in April-May 2003 after obtaining a demolition permit in December 2002. The decorative elements were preserved and deposited before its destruction.
Located at 2 avenue Napoléon-Bonaparte, the casino illustrated the eclectic architecture of the inter-war period, combining technical modernity (armed concrete) and regional references. Its history reflects the urban and tourist issues of Aix-en-Provence in the 20th century, between valuing thermal heritage and architectural changes. Its disappearance marks the end of an era for the city, where thermalism and elegant leisure occupied a central place.
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