Construction centre part left fin XVIe siècle (≈ 1695)
Initial abbey palace for the abbey.
1789
Sale as a national good
Sale as a national good 1789 (≈ 1789)
End of the abbey at the Revolution.
1846
Purchased by Marcel Tissot
Purchased by Marcel Tissot 1846 (≈ 1846)
Transformation into a family residence.
milieu XVIIIe siècle
Extension centre part right
Extension centre part right milieu XVIIIe siècle (≈ 1850)
South wing and larger abbey residence.
8 août 1902
Death of James Tissot
Death of James Tissot 8 août 1902 (≈ 1902)
Death in the family castle.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Key figures
Marcel Tissot - Owner and patron
Buyer in 1846, James' father.
James Tissot - Painter and last owner
Romantic additions, dead on site.
Abbé de Billon - Last religious occupant
He lived in the Abbatial Palace.
Origin and history
Buillon Castle finds its origins in the ancient abbey palace of the Cistercian Abbey of Buillon, sold as a national property during the Revolution. The left central part, dated from the end of the 16th century, and the right part with the south wing, built in the 18th century, served as residence for the abbot. After the dissolution of the abbey, the site became the home of a local forge master, marking his transition to a secular function.
In 1846, the castle was acquired by Marcel Tissot, an enriched drapier in Nantes, originally from Franche-Comté, which undertook major developments. His son, the painter James Tissot, inherits the estate in the 19th and 20th centuries and adds picturesque elements (tower in ruins, mill, entrance buildings) in a romantic medieval style. James Tissot finished his life there in 1902 and rested in the private chapel of the castle, now owned by the public.
The present Renaissance style castle is distinguished by its semicircular balcony façade supported by doric columns. Its 2 km park along the Loue houses classified outbuildings (kiosk, greenhouse, basin, aviary), testimonies of successive beautifications. The ensemble, always private, illustrates the evolution of a religious site in aristocratic residence, then in artistic field.
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