Construction of the tower XIIIe siècle (≈ 1350)
The oldest part of the present church.
1524
Church Consecration
Church Consecration 1524 (≈ 1524)
Dedicated parish church and Marian pilgrimage.
1688
New high altar
New high altar 1688 (≈ 1688)
Work by sculptor Jost Franz Hermann.
26 avril 1921
Historical monument classification
Historical monument classification 26 avril 1921 (≈ 1921)
Protection of the ossuary chapel by order.
1923
Restoration of the chapel
Restoration of the chapel 1923 (≈ 1923)
Transformation into a monument to the dead.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Chapel (former ossuary): by order of 26 April 1921
Key figures
Jost Franz Hermann - Sculptor
Author of the high altar in 1688.
Valentin Rinckenbach - Organ factor
Orgue installed in 1841 in the church.
Origin and history
Sewen Cemetery, located on Rue de l'Église in the Upper Rhine, is inseparable from the parish church and its adjacent ossuary chapel. These buildings dominate the Grand Street of the village, forming an architectural complex marked by local religious history. The cemetery, classified as a historical monument since 1921, bears witness to the medieval spatial organization where places of worship and burials were closely linked. The chapel, square and covered with a ribbed vault, bears architectural traces suggesting an ancient origin, perhaps linked to medieval funeral practices.
The church attests to a staggered construction: the tower-chorus dates back to the 13th century, while the nave, ceilinged and panelled, was rebuilt in the late 15th or early 16th century. Consecrated in 1524, it housed a statue of the Virgin, the object of a popular pilgrimage in the sixteenth and seventeenth centuries, reflecting the spiritual importance of the site. After the Thirty Years' War, the pilgrimage resumed a certain flood, a new high altar was erected in 1688 by sculptor Jost Franz Hermann, who had now disappeared. Subsequent changes, such as the addition of a porch in 1769 or the 19th century neo-Gothic restorations, illustrate the evolution of tastes and liturgical needs.
The cemetery and its surroundings have also undergone transformations over the centuries: a new door was installed in 1742, and the Ossuary Chapel, restored in 1923, now houses the monument to the dead of Sewen. These elements underline the dual vocation of the site, both a place of religious and civil memory. Architectural traces, such as shingles in scale on the north wall of the nave or the veins of the vault of the chapel, offer clues to the local construction techniques and materials used, typical of the Alsatian region.
Sewen's church played a central role in the upper valley of Masevaux, serving as a mother church for the surrounding communes. This status reinforces its historical and symbolic importance, as a spiritual and administrative hub under the Old Regime. Successive restorations, notably those of 1717, 1864 and 1911, reveal the continuing efforts to preserve this heritage, despite the hazards of history, such as potential destruction during conflicts or liturgical developments.
Today, the ensemble formed by the cemetery, church and ossuary chapel is a tangible testimony to Sewen's religious and community history. Ranked among the historical monuments of the Upper Rhine, it attracts attention for its hybrid architecture, mixing medieval, reborn and neo-Gothic elements. The presence of the monument to the dead in the chapel also recalls its anchoring in contemporary collective memory, linking past and present.
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