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Cerdon copper dans l'Ain

Patrimoine classé
Patrimoine industriel
Ain

Cerdon copper

    Rue de la Cuivrerie
    01450 Cerdon
Cuivrerie de Cerdon
Cuivrerie de Cerdon
Cuivrerie de Cerdon
Cuivrerie de Cerdon
Crédit photo : Chabe01 - Sous licence Creative Commons

Timeline

Révolution/Empire
XIXe siècle
Époque contemporaine
1900
2000
1854
Coppermaking Foundation
1860
Second blade wheel
1871
Delivery to Japan
1875
Industrial modernization
1900
Plant peak
1924
American press installed
1980
Rescue and museum
2013
Historical Monument
2022
Reopening to the public
Aujourd'hui
Aujourd'hui

Heritage classified

The entire copper industry: buildings, technical installations and mechanisms fixed, the hydraulic system with its beef (excluding the building built in 1995 and the adjacent parking lot, located on Parcel A 1719 and for a small part on Parcel A 1876, as well as the building in the north part of Parcel A 1875 separated from the workshops by the entrance yard of the copper industry) and the parcels on which it is located (see Box II). A 1875-1877, 1718): registration by order of 22 October 2013

Key figures

Charles Eugène Main - Founder Boilermaker, created coppermaking in 1854.
Joseph Main - Co-founder Son of Charles Eugene, involved in 1854.
Charles Eugène Main (fils) - Co-founder Second son of the founder, present in 1854.
Maurice Goy - Site Savior Retrieved the factory in 1980 to make it a museum.
André Lathuilière - Site Savior Associated with Maurice Goy for the rebirth.
Daniel de Bortoli - Best worker in France Dinandier of sacred art in 1989.

Origin and history

La Cuivrerie de Cerdon was founded in 1854 by Charles Eugène Main and his two sons, Joseph and Charles Eugène, in the premises of an old paper mill on the creek of Switzerland. Originally equipped with blades with polishing turrets and a balance press, the factory specialized in the manufacture of copper and mallet articles, produced by hand with hammers and mallets. In 1860, a second blade wheel was installed to power six hammers of martinet, marking the beginning of a progressive mechanization. The arrival of the friction balance and the stamping machine in 1875 accelerated production, allowing exports to Algeria, Morocco and the East. In 1871, the plant delivered 300 machines for silk spinning in Tomioka (Japan), now a UNESCO World Heritage site.

Around 1900, the factory employed nearly 80 workers and adopted a steam engine to meet growing demand. During the First World War, despite the shortage of labour, exports continued. A new repulsive plant was built in 1924, equipped with a 150-ton American press drastically reducing production times. Coppermaking then became an industrial flagship, producing unique objects for the East and hotel furniture, before experiencing a decline from the 1930s, accentuated by the economic crisis and rural exodus.

After the Second World War, the factory turned to aluminum and saw its workforce fall to 20 workers in 1950, then to 3 in 1979, before its liquidation. Saved in 1980 by Maurice Goy and André Lathuilière, it was transformed into an industrial museum and released a limited production, including sports cups for Prestifrance. In 1987, the site attracted more than 200 school groups and 587 tourist buses, becoming a symbol of French industrial heritage. Despite a final closure in 2010, Copper was listed as a historical monument in 2013 and reopened in 2022 after the acquisition by the Ain Department.

The site maintains an exceptional set of 19th and 20th century machines and tools, including repulsive towers, martinets, and a Bliss press. The buildings, organized along the river, illustrate the technical evolution of the factory, from the initial blades to the steam machine. Three wheels with blades remain, one still functional, while the workshops house collections of copper objects, wooden templates and moulds to be pressed. The Copper industry thus bears witness to industrial innovation and its adaptation to economic challenges, before reinventing itself as a place of memory and tourism.

In 1998, the site served as a setting for the film Les Enfants du Marais by Jean Becker. With 38,523 visitors in 2009, it was one of the ten most frequented sites in the department of Ain. Today, Cerdon's Copper Factory combines heritage preservation and tourism enhancement, offering a journey in the history of metallurgy and craftsmanship.

External links