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Chapel of Kerlenat à Locmalo dans le Morbihan

Patrimoine classé
Patrimoine religieux
Chapelle romane et gothique
Morbihan

Chapel of Kerlenat

    Kerlenat
    56160 Locmalo
Chapelle de Kerlenat
Chapelle de Kerlenat
Chapelle de Kerlenat
Crédit photo : GO69 - Sous licence Creative Commons

Timeline

Bas Moyen Âge
Renaissance
Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
1500
1600
1700
1800
1900
2000
vers 1540
Enlargement
XVIe siècle
Initial construction
fin XVIIe siècle
Partial renovation
29 mars 1974
MH classification
après 2000
Restoration fountain
Aujourd'hui
Aujourd'hui

Heritage classified

Chapelle de Kerlenat (Case C 672): inscription by order of 29 March 1974

Key figures

Seigneurs de Guémené - Suspected Founders Initial sponsors of the chapel.

Origin and history

The chapel Notre-Dame-de-Grâce, located at the place called Kerlenat in the municipality of Locmalo (Morbihan), dates from the 16th century. It is built of cut stone, with the exception of the west wall of the south arm, in stone. Its Latin cross plan, flat bedside and openwork bell are characteristic of this period. The nave, separated from the choir by a diaphragm arch, preserves a ground in beaten earth contrasting with the pavement of the transept. The chapel is founded by the seigneurs of Guémené, as indicated by the fleur de lys fillings of the southern and eastern bays.

The chapel was enlarged around 1540, with the addition of a sacristy to the southeast between the choir and the south arm, probably in the eighteenth century. The west wall and the south arm door were rebuilt in the late seventeenth century, while the bell tower seems to date back to the nineteenth century. A gable fountain, built in the 17th century and restored after 2000, completes the whole. Historied sandstones, dating from the first half of the 17th century, add an artistic dimension to the building.

Classified as a historic monument since 29 March 1974, the chapel belongs to the municipality of Locmalo. His south arm, illuminated by a broken arch window, suggests a seigneurial chapel status, although no coat of arms is visible. The north arm, soberer, is lit only by a small window that is mowed. The ensemble illustrates the Breton religious architecture of the Renaissance, combining cult and community functions.

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