Initial consecration 1675 (≈ 1675)
Chapel dedicated to the Virgin and Saint John the Baptist.
1758
Fusion of the brotherhoods
Fusion of the brotherhoods 1758 (≈ 1758)
Union Black and Red Penitents.
1873
Organ construction
Organ construction 1873 (≈ 1873)
Work by Frederico Valoncini.
24 mars 1950
MH classification
MH classification 24 mars 1950 (≈ 1950)
Protection for historical monuments.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Chapelle de la Miséricorde : classification by order of 24 March 1950
Key figures
Frederico Valoncini - Piedmontian organ factor
Built the organ in 1873.
Antonio Guidi - Chanoine and parish priest of Nice
Offered the organ to the chapel in 1902.
Origin and history
The Chapel of Mercy, also known as the Chapel of Black Penitents, is a Catholic monument located in Tende, Alpes-Maritimes. Consecrated in 1675, it is dedicated to the Virgin of Mercy and the Take-off of Saint John the Baptist. Its baroque architecture and its bulb bell tower covered with varnished tiles make it an emblematic building of the region. In 1758, the Black Penitent Brotherhood merged with the Red Penitent Brotherhood, founded in 1596, due to the decline in their numbers. This union led to the addition of the celebration of the Holy Trinity, once unique to the Red Penitents.
Inside, the chapel houses an organ built in 1873 by the Piedmontese factor Frederico Valoncini (1832-1891), offered in 1902 by Canon Antonio Guidi, former parish priest of Nice. It also has a gissant with articulated arms, rare part of its movable heritage. Classified as a historical monument on 24 March 1950, the chapel illustrates the importance of the brotherhoods of penitents in the religious and social life of the Alpes-Maritimes, between devotion, baroque art and Piedmontese heritage.
The chapel is also distinguished by its history linked to the fusion of the brotherhoods, reflecting the demographic and spiritual evolutions of Tende. Its interior decoration, marked by baroque, and its Italian organ testify to the cultural exchanges between France and Piedmont, a region which Tende was historically close to before his definitive connection to France in 1947. Today, it remains a symbol of local religious and architectural heritage, protected and enhanced by associations and the Heritage Foundation.
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