Death of Guillaume The Lay 1502 (≈ 1502)
Founder abbey of the chapel
XVe - XVIe siècles
Construction of the chapel
Construction of the chapel XVe - XVIe siècles (≈ 1650)
Period of foundation and construction
29 mars 1972
Registration for Historic Monuments
Registration for Historic Monuments 29 mars 1972 (≈ 1972)
Protection of ruins by arrest
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Chapel of the Trinity (ruins of the ancient) (Box ZH 19): inscription by decree of 29 March 1972
Key figures
Guillaume Le Lay - Abbé de Daoulas
Founder assigned of the chapel
Origin and history
The Chapel of the Trinity of Canihuel, located in the Côtes-d'Armor department in Brittany, is a religious building dating from the 15th and 16th centuries. Its ruins, composed of a unique nave and a bell tower on the west gable, are characteristic of Breton religious architecture of that time. The networked windows on the bedside and the south side add to its historical and aesthetic interest.
The foundation of this chapel is attributed to Guillaume Le Lay, abbot of Daoulas, who died in 1502. This link with an important religious figure of the time underscores his role in local spiritual life. Disused and threatened with dispersal, it was protected by an inscription as historical monuments on 29 March 1972, thus preserving a vestige of Breton heritage.
The ruins of the chapel, now owned by the municipality of Canihuel, are located at the approximate address of 4 Garn Boscher. Their current state reflects the conservation challenges of small rural religious buildings, often vulnerable to abandonment. Despite their degradation, they remain a valuable testimony to the religious and architectural history of the region.
In the Breton context of the 15th and 16th centuries, the chapels played a central role in the life of rural communities. They served not only as places of worship, but also as gathering points for religious festivals and local events. The Trinity Chapel, though modest, is part of this tradition, reflecting the importance of faith and religious architecture in the society of the time.
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