Initial construction XIIe siècle (première moitié) (≈ 1250)
Building of the chapel and capitals.
1791
Sale as a national good
Sale as a national good 1791 (≈ 1791)
End of his initial religious use.
2010
Historic Monument Protection
Historic Monument Protection 2010 (≈ 2010)
Classification of capitals and inscription of the chapel.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
The old chapel in its entirety (Box D 17): inscription by decree of 12 March 2010 - The two sculpted capitals, with their columns, located in the choir of the former chapel (cad. D 17): classification by decree of 5 October 2010
Key figures
Information non disponible - No character cited
The source text does not mention any historical actors.
Origin and history
The chapel of Saulgé, built in the first half of the 12th century, was initially integrated into the buildings of a priory dependent on the abbey of Bourg-Dieu, located in Indre. Placed under the name of the Sainte-Vierge, it is distinguished by its simple architecture: a unique nave extended by a pentagonal apse. Its limestone capitals, dated from the twelfth century, are particularly remarkable, illustrating biblical scenes such as the temptation of Christ or the deliverance of Saint Peter. These decorative elements testify to the prosperity of the religious community of the time.
In the 15th century, the chapel was equipped with an imposing structure, still visible today. After the French Revolution in 1791, it was sold as a national good, marking the end of its initial religious use. The two carved capitals, located in the choir, as well as the entire building, were protected by measures of classification and registration under the title of Historic Monuments in 2010. Their preservation highlights the artistic and historical importance of this modest rural building.
The building is located today at the approximate address of 3 Place du Prieuré, in the department of Vienna, in New Aquitaine. Although its precise location is considered mediocre (note of 5/10), its heritage interest remains undeniable. The chapel, with its architectural and sculptural elements, offers a rare testimony of Poitevin Romanesque art and its evolution in late Gothic periods.
