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Chapelle du Pinel d'Argentré-du-Plessis en Ille-et-Vilaine

Patrimoine classé
Patrimoine religieux
Chapelle gothique
Ille-et-Vilaine

Chapelle du Pinel d'Argentré-du-Plessis

    Le Pinel
    35370 Argentré-du-Plessis
Chapelle du Pinel dArgentré-du-Plessis
Chapelle du Pinel dArgentré-du-Plessis
Crédit photo : Jacques Le Letty - Sous licence Creative Commons

Timeline

Renaissance
Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
1500
1600
1700
1800
1900
2000
XVe siècle
Initial construction
XVIe-XVIIe siècles
Periods of change
26 mai 1939
Registration MH
Aujourd'hui
Aujourd'hui

Heritage classified

Chapelle du Pinel and nearby well (Box BH 76): inscription by order of 26 May 1939

Key figures

Information non disponible - No character cited Sources do not mention any related historical actors.

Origin and history

The chapel Sainte-Eudoxie, called the Pinel, is a religious building located at the place called Le Pinel, in the town of Argentré-du-Plessis, in Ille-et-Vilaine. Dating mainly from the 15th century, it embodies the flamboyant Breton Gothic architecture, recognizable by its complex networked windows and carved mouldings. Built in sandstone and shale, it was initially part of the outbuildings of the castle of Pinel, now transformed into a farm. Its decorative elements, such as the north door decorated with leafy motifs, evoke influences comparable to those of the Dominican Chapel of Rennes.

The chapel was listed as Historic Monuments on May 26, 1939, including a nearby well in the protection. Its state of conservation and its stylistic characteristics make it a remarkable testimony of Breton religious art in the late Middle Ages and early modern times. Historical sources, such as Paul Banéat's (1927) or the Heritage of the Communes of Ille-et-Vilaine (2000), highlight its heritage importance in the regional architectural landscape.

Located in the east of the department, south of Argentré-du-Plessis and near the pinel wood, the chapel is distinguished by its cradle structure and interior decorations. Although its current use is not specified in the sources, its inscription and location make it a point of interest for the study of the religious and seigneurial history of Brittany. Comparisons with other buildings in the region, such as the Dominican convent in Rennes, reinforce its role as a marker of local heritage.

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