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Chapel Notre-Dame d'Ansac-sur-Vienne en Charente

Patrimoine classé
Patrimoine religieux
Chapelle gothique
Charente

Chapel Notre-Dame d'Ansac-sur-Vienne

    Rue du Moulin
    16500 Ansac-sur-Vienne
Crédit photo : Jack ma - Sous licence Creative Commons

Timeline

Renaissance
Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
1600
1700
1800
1900
2000
fin XVe - début XVIe siècle
Construction of the northern chapel
1820
Major works of the nineteenth century
1887
Interior Decoration by Périn
28 octobre 1996
Registration Historic Monument
Aujourd'hui
Aujourd'hui

Heritage classified

Chapel, including its painted decoration (Box C 391): inscription by order of 28 October 1996

Key figures

Alexandre-Félix Périn - Painter-Decorator Author of interior decorations (1887).

Origin and history

The Notre-Dame d'Ansac-sur-Vienne chapel, classified as a Historic Monument, has a composite structure marked by two major construction periods. The oldest part, dating from the late 15th or early 16th century, is the northern chapel, vaulted on cross of warheads with oric veins. These veins, connected by a key of vault adorned with a quadrilobe, rest on caps carved into human heads. This space, called the fire of the Pontbriant, is the only medieval vestige still visible today.

In the 19th century, the chapel underwent major transformation works, as evidenced by the date of 1820 engraved above the gate. The rectangular plane is then enlarged by a transept arm to the north and a bottom side, modifying the main access. A low and prominent apse extends the nave, while a flamboyant reamp window pierces the northeast bedside. The campanile, late addition, crowns the whole. The broken hanger portal, topped by a crossover arch, reflects this mix of styles.

The interior, especially the north side, is covered with a plaster ceiling and decorated in 1887 by the painter Alexandre-Félix Périn. The nave, vaulted in painted bricks, houses a tree of Jesse in the apse of the choir. Full arches separate the lower side from the nave, illustrating 19th-century developments. These decorative elements, combined with residual Gothic architecture, make this chapel a representative example of neo-medieval reinterpretations under the Third Republic.

The chapel, including its painted decoration, has been protected since the registration order of 28 October 1996. A communal property, it embodies both the local religious heritage and the typical restoration campaigns of the 19th century, a period when renewed interest in the Middle Ages profoundly influences rural sacred architecture.

External links