Construction of the northern chapel fin XVe - début XVIe siècle (≈ 1625)
Gothic vault with oric veins.
1820
Major works of the nineteenth century
Major works of the nineteenth century 1820 (≈ 1820)
Date engraved above the gate.
1887
Interior Decoration by Périn
Interior Decoration by Périn 1887 (≈ 1887)
Painted ceilings and tree of Jesse.
28 octobre 1996
Registration Historic Monument
Registration Historic Monument 28 octobre 1996 (≈ 1996)
Chapel protection and painted decorations.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Chapel, including its painted decoration (Box C 391): inscription by order of 28 October 1996
Key figures
Alexandre-Félix Périn - Painter-Decorator
Author of interior decorations (1887).
Origin and history
The Notre-Dame d'Ansac-sur-Vienne chapel, classified as a Historic Monument, has a composite structure marked by two major construction periods. The oldest part, dating from the late 15th or early 16th century, is the northern chapel, vaulted on cross of warheads with oric veins. These veins, connected by a key of vault adorned with a quadrilobe, rest on caps carved into human heads. This space, called the fire of the Pontbriant, is the only medieval vestige still visible today.
In the 19th century, the chapel underwent major transformation works, as evidenced by the date of 1820 engraved above the gate. The rectangular plane is then enlarged by a transept arm to the north and a bottom side, modifying the main access. A low and prominent apse extends the nave, while a flamboyant reamp window pierces the northeast bedside. The campanile, late addition, crowns the whole. The broken hanger portal, topped by a crossover arch, reflects this mix of styles.
The interior, especially the north side, is covered with a plaster ceiling and decorated in 1887 by the painter Alexandre-Félix Périn. The nave, vaulted in painted bricks, houses a tree of Jesse in the apse of the choir. Full arches separate the lower side from the nave, illustrating 19th-century developments. These decorative elements, combined with residual Gothic architecture, make this chapel a representative example of neo-medieval reinterpretations under the Third Republic.
The chapel, including its painted decoration, has been protected since the registration order of 28 October 1996. A communal property, it embodies both the local religious heritage and the typical restoration campaigns of the 19th century, a period when renewed interest in the Middle Ages profoundly influences rural sacred architecture.
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