Presumed Foundation 1182 (≈ 1182)
Assigned to Templars (uncertain origin)
XIVe siècle
Beginning of pilgrimages
Beginning of pilgrimages XIVe siècle (≈ 1450)
Place of miracles according to tradition
XVIe siècle
Reconstruction
Reconstruction XVIe siècle (≈ 1650)
On Romanesque bases, frescoes added
1924
Roof collapse
Roof collapse 1924 (≈ 1924)
Storm damaging the nave
1925
Registration MH
Registration MH 1925 (≈ 1925)
Protection after degradation
3 octobre 1962
MH classification
MH classification 3 octobre 1962 (≈ 1962)
Definitive protection of the monument
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Chapelle Notre-Dame-de-Cran (cad. D 143): Order of 3 October 1962
Key figures
René Couffon - History of Art
Studyed folk roots
Anne Autissier - Specialist in sculpture
Date the masks of the 15th–12th centuries
Marc Déceneux - Architectural expert
Note of Romanesque relatives
Origin and history
The Notre-Dame de Cran chapel, also known as Notre-Dame-de-Bon-Secours chapel, is located in the hamlet of Cran, 3 km southeast of Treffléan, in the Morbihan. Although its foundation was sometimes attributed to the Templars in 1182, this origin remained uncertain. Local traditions refer to either an apparition of the Virgin or the fulfilment of a seigneurial vow, but these stories are more of folklore. The chapel, already a place of pilgrimage in the 14th century for its supposed miracles, was rebuilt in the 16th century on Romanesque bases, after probably belonging to the order of St John of Jerusalem.
In 1924, the roof of the nave collapsed during a storm, triggering its inscription to the Historical Monuments in 1925. Despite a restoration, his 16th century frescoes, initially covering all the walls, suffered irreversible damage. Classified as a Historical Monument in 1962, the chapel preserves a Latin cross plan, a stone-shaped nave, and carved sandstones (1524–1556). Its baroque altar (1788) and its polychrome wooden statues, including a 15th century Virgin with Child, bear witness to its rich heritage.
The site remains a place of devotion with an annual pardon on the first Sunday after August 15. Surrounded by the remains of an ancient commandery, the chapel is associated with a 17th century mansion and a 1740 fountain. His painted, though fragmentary, decor includes scenes such as the Crucifixion and the Resurrection, dated 1594. The re-used sculpted masks and roman baskets highlight its architectural evolution between the Middle Ages and the modern era.
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