Initial construction vers 1450-1460 (≈ 1455)
Built near a monastery
1532
Add transept
Add transept 1532 (≈ 1532)
Major expansion in the 16th century
1700s
Square Bell
Square Bell 1700s (≈ 1700)
Addition in the 18th century
9 juin 1925
First protection
First protection 9 juin 1925 (≈ 1925)
South gate and classified sculptures
17 mai 2019
Total registration
Total registration 17 mai 2019 (≈ 2019)
Completely protected chapel
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
South side door and sculpture motifs above it (Box YB 34): inscription by order of 9 June 1925; The chapel Notre-Dame-des-Fleurs in its entirety, located at the place called Chapelle des Fleurs, as delimited in red on the joint to the decree (Box YB 34): inscription by order of 17 May 2019
Key figures
Claude Moulé - Suspected Sculptor
Likely author of the retable
Favier - Goldsmith
Creator of a chalice
Origin and history
The chapel Notre-Dame-des-Fleurs, located at the place called Les Fleurs on the commune of Plouay (Morbihan), finds its origins around 1450-1460 near a monastery. It took on major importance in the 16th century, during which time it underwent significant changes, including the addition of a transept in 1532. The building, rectangular with a polygonal bedside, has a unique nave ending with a choir. Architectural clues, such as pillars and arcs half drowned in masonry, suggest that it was designed to be more imposing, without this initial project being completed.
The chapel is marked by notable sculptural elements, including a south side door decorated with rough metope motifs, classified as a historical monument since 1925. A facade sculpture depicts Templars in armor, adding to its mystery. The square bellet dates from the 18th century, while the sacristy was built in 1888 and an external altar was added in 1954. The entire building is finally listed as historic monuments in 2019, recognizing its heritage value.
Inside, the furniture reflects the times of reshaping. A tuffeau altarpiece, attributed to the sculptor Claude Moulé, dominates the space, accompanied by various statues: a 16th century Virgin with Child (known as Notre-Dame-des-Fleurs), a contemporary Saint Gervais of the altarpiece, an 18th century Virgin, and a Saint Isidore added in the 19th century. A chalice and a patena signed by the goldsmith Favier, as well as two chasubles of the late nineteenth century, complete this liturgical ensemble.
The chapel illustrates the architectural and artistic evolution of a Breton place of worship, mixing medieval heritage, Renaissance, and later additions. His progressive protection emphasizes his role in the local heritage, between Templar legend and Marian devotion.
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