Initial Foundation Xe siècle (≈ 1050)
First chapel on Gallo-Roman site.
XIIe siècle
Romanesque reconstruction
Romanesque reconstruction XIIe siècle (≈ 1250)
Period mentioned for nave/clocher.
4e quart XVIIe siècle
Baroque chapel added
Baroque chapel added 4e quart XVIIe siècle (≈ 1787)
Extension or separate building classified.
28 décembre 1984
MH classification
MH classification 28 décembre 1984 (≈ 1984)
Registration of the ruins and chapel.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
The entire church, including the large composition of the master altar with altarpiece in the choir, and the whole decor accompanying the furniture of the chapels (Box F 406): inscription by decree of 23 June 2014
Key figures
Information non disponible - No name cited
Sources do not mention any actors.
Origin and history
The Notre-Dame-des-Roses chapel, located in the town of Callian (Var), finds its origins in the 10th century, on a Gallo-Roman site reinvested. It served for a long time as a parish church, demonstrating its central role in local religious life. Its remains, including the nave and the bell tower, have been classified since 1984, while the chapel of the seventeenth century (4th quarter) illustrates a phase of Baroque reconstruction or expansion, typical of Provence of Ancien Régime.
The monument thus combines two key periods: the Middle Ages (Romanesque rivers) and the modern period (17th century chapel), reflecting the architectural and spiritual evolution of the region. The 17th century chapel, mentioned in the sources as a distinct element, could correspond to a dedicated extension or oratory, characteristic of post-Tridentine Catholic devolutionary practices.
The protection under the Historical Monuments (1984) specifically covers the ruins of the nave and medieval bell tower, as well as the 17th century chapel, highlighting their heritage value. The site, a communal property, remains anchored in the Var landscape, between ancient, medieval and Baroque heritage, while asking the question of its contemporary vocation (visits, worship, or pure preservation).
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