Construction of the chapel 1475-1494 (≈ 1485)
Built by the rectors Olivier de Peillac and André de Coëtlagat.
1494
Date engraved on the sandstones
Date engraved on the sandstones 1494 (≈ 1494)
Testimony of completion or vow.
11 octobre 1922
Classification of sandstones
Classification of sandstones 11 octobre 1922 (≈ 1922)
Protection of carved wooden elements.
22 juin 1932
Complete site ranking
Complete site ranking 22 juin 1932 (≈ 1932)
Chapel, enclosure, protected fountain and calvary.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Sculpted wooden sandstones and entrances (Box BC 66): by order of 11 September 1922; Chapel, with enclosure, fountain and calvary (Box BC 66): classification by decree of 22 June 1932
Key figures
Olivier de Peillac - Rector of Saint-Avé
Sponsor of the chapel with André de Coëtlagat.
André de Coëtlagat - Rector of Saint-Avé
Co-commander of the chapel in the 15th century.
Origin and history
The chapel Saint-Avé-d'en-Bas, also called Notre-Dame-du-Loc, was built between 1475 and 1494 in Saint-Avé, Morbihan. It is built in the shape of a Latin cross, with a slate bellet and a facade adorned with a portail and an oculus. Its architecture combines cutting stone with gables and bells for the rest, reflecting the flamboyant Gothic style of the time.
The chapel was founded by Olivier de Peillac and André de Coëtlagat, then rectors of Saint-Avé. Its interior is home to carved wooden sandstones and entrances, classified as early as 1922. The ensemble, including the enclosure, the fountain and the calvary, was protected in 1932. The date of 1494, engraved on the sandstones, suggests an origin related to a vow or a commemorative event.
The western gable, particularly designed, frames a protruding ogival door, while the bedside features a flamboyant window with stained glass remains. The sculptures of the sandstones combine Gothic motifs, characters and foliage. The chapel, a communal property, remains a place of pilgrimage and a testimony of Breton religious art of the late Middle Ages.
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