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Chapelle Saint-Jacques de Coussegrey dans l'Aube

Patrimoine classé
Patrimoine religieux
Chapelle
Aube

Chapelle Saint-Jacques de Coussegrey

    Le Bourg
    10210 Coussegrey
Chapelle Saint-Jacques de Coussegrey
Chapelle Saint-Jacques de Coussegrey
Chapelle Saint-Jacques de Coussegrey
Chapelle Saint-Jacques de Coussegrey
Chapelle Saint-Jacques de Coussegrey
Chapelle Saint-Jacques de Coussegrey
Chapelle Saint-Jacques de Coussegrey
Chapelle Saint-Jacques de Coussegrey
Chapelle Saint-Jacques de Coussegrey
Chapelle Saint-Jacques de Coussegrey
Crédit photo : Hg marigny - Sous licence Creative Commons

Timeline

Bas Moyen Âge
Renaissance
Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
1500
1600
1700
1800
1900
2000
1538
Construction of the chapel
Période révolutionnaire (fin XVIIIe siècle)
Major damage
1925
Registration for historical monuments
Aujourd'hui
Aujourd'hui

Heritage classified

Altar and cross: inscription by order of 15 May 1925

Key figures

Gérard de Noiron - Sponsor Had the chapel erected in 1538.

Origin and history

The chapel Saint-Jacques de Coussegrey is a religious building located in the village of Coussegrey, in the Aube department, in the Grand Est region. It is distinguished by its complex architecture, combining a tomb and a stone cross, typical of the funeral monuments of the Renaissance. The whole is now protected by a shelter, although this protection partially alters the perception of its monumental character.

Built in 1538 by Gérard de Noiron, the chapel underwent major deterioration during the French Revolution, a period marked by the destruction of religious symbols. Despite this damage, it was recognized for its heritage value and listed as a historical monument in 1925. Its location, at the entrance of the village from Prusy, makes it a visual and historical landmark for visitors.

The chapel illustrates the role of Christian monuments in the French countryside in the 16th century, where they served both as places of devotion and as identity markers for local communities. These buildings often reflected the patronage of noble or bourgeois families, as evidenced by his sponsor, Gérard de Noiron. Today, it remains an architectural and spiritual testimony of this time, although its original function has evolved over time.

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