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Chapelle Saint-Michel de Fuveau dans les Bouches-du-Rhône

Patrimoine classé
Patrimoine religieux
Chapelle romane
Bouches-du-Rhône

Chapelle Saint-Michel de Fuveau

    16-44 Chemin du Chouan 
    13710 Fuveau
Chapelle Saint-Michel de Fuveau
Chapelle Saint-Michel de Fuveau
Chapelle Saint-Michel de Fuveau
Chapelle Saint-Michel de Fuveau
Chapelle Saint-Michel de Fuveau
Chapelle Saint-Michel de Fuveau
Chapelle Saint-Michel de Fuveau
Chapelle Saint-Michel de Fuveau
Chapelle Saint-Michel de Fuveau
Chapelle Saint-Michel de Fuveau
Chapelle Saint-Michel de Fuveau
Chapelle Saint-Michel de Fuveau
Chapelle Saint-Michel de Fuveau
Chapelle Saint-Michel de Fuveau
Chapelle Saint-Michel de Fuveau
Crédit photo : Eponimm - Sous licence Creative Commons

Timeline

Haut Moyen Âge
Moyen Âge central
Bas Moyen Âge
Renaissance
Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
800
900
1000
1100
1400
1500
1600
1700
1800
1900
2000
VIIIe siècle
Presumed foundation of the first village
1098
First written entry
XIVe siècle
Rebuilt and expanded
1677
Restoration by Mass
1742
Closing of the adjoining cemetery
1982
Historical Monument
Aujourd'hui
Aujourd'hui

Heritage classified

Chapelle Saint-Michel (Box C 577): inscription by order of 26 March 1982

Key figures

Abbé Chaillan - Local historian Explore the Celto-ligure origins of Fuveau
Henri de Gérin-Ricard - Archaeologist Conquers Gallo-Roman discoveries
Vicaire Rossolin - Curé de Fuveau Consecrated the parish to Saint Roch in 1720
Masse - Masonry entrepreneur Repair the chapel in 1677
Foulque - Provost of the church of Aix Confiscated the possessions of Saint-Victor in 1098

Origin and history

The chapel Saint-Michel de Fuveau, located in the Bouches-du-Rhône, finds its origins in the eighth century, when the first inhabitants, Celto-Ligures influenced by Massalia and Rome, gather around a Benedictine hermitage. The site, mentioned as early as 1098 in an act of Foulque, provost of Aix, confirms the existence of two churches: a parish and the chapel Saint-Michel, then possession of the Abbey Saint-Victor of Marseille. Benedictine monks, active in the 11th and 12th centuries, cleared the land and attracted new families, structuring the nascent village.

In the 14th century, the chapel was rebuilt: its Romanesque apse, its broken cradle vault and its doubles date from this period, while neo-Gothic elements suggest an enlargement. The adjoining cemetery, used until 1742, bears witness to its status as a parish and monastic church. In 1677, the entrepreneur Mass consolidated the building, before the bishop of Aix ordered the transfer of the cemetery in 1742, then in 1847. The chapel, classified as a Historical Monument in 1982, preserves traces of his devotion to Saint Michael, especially during the plague of 1720, where Vicar Rossolin devoted it to Saint Roch.

The site is part of a feudal context marked by 14th century ramparts and the influence of local lords, such as the Peyssonel. In the 17th century, Fuveau developed around the artisanal extraction of coal, an activity attested by the notarial archives. The chapel, initially the heart of the medieval castrum, loses its parish role in favor of the village church, built on the hill of Rocaoudo. Its current isolation contrasts with its central past, linked to pilgrimages and rural traditions, such as Saint John's Day.

Archaeological sources also evoke a Gallo-Roman occupation, with villas along the Aurelian way and tiled tombs discovered near the Castellas district. These remains, associated with Roman coins, underline the continuity of the settlement. However, no material evidence confirms the thesis of a fortified castrum from the fifth century around the chapel. Its history thus remains linked to the religious and economic dynamics of Provence, from Benedictine to 18th century coalmakers.

The chapel Saint-Michel finally illustrates the liturgical and social transformations: first place of worship and burial, it becomes a symbol of resistance to epidemics, as evidenced by the preserved ex-voto. Its architecture, blending novel and neo-Gothic, reflects the successive redevelopments, while its annual pilgrimage perpetuates a medieval tradition, once rhythmized by fifres and drums (bachas).

External links