Making frescoes 1470-1475 (≈ 1473)
Gothic decoration attributed to Giovanni Baleison
1480-1490
Ornament of bedside
Ornament of bedside 1480-1490 (≈ 1485)
Frescoes of the Virgin in majesty
début XVIIe siècle
Renovation by the White Penitents
Renovation by the White Penitents début XVIIe siècle (≈ 1704)
Addition of baroque confraternal furniture
1996
Rediscovered frescoes
Rediscovered frescoes 1996 (≈ 1996)
Updating behind the table
20 janvier 2000
Historical monument classification
Historical monument classification 20 janvier 2000 (≈ 2000)
Official protection of the building
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Chapelle (Box K 688): classification by order of 20 January 2000
Key figures
Giovanni Baleison - Piedmontese painter
Suspected author of frescoes (1470-1490)
Pierre Puons - Baroque painter
Author of the Crucifixion (table)
Origin and history
Sainte-Marguerite Chapel, located in the village of Saint-Dalmas-le-Selvage (Alpes-Maritimes), is a modest religious building built at the end of the 15th century. It is presented as a simple three-span parallelepiped, covered with a roof in larch shingles. His bedside was decorated around 1480-1490 with frescoes a tempera representing the Virgin in majesty and seven saints, attributed to the Piedmontese painter Giovanni Baleison, active between Liguria and Nice County. These paintings, rediscovered in 1996 behind a 17th century retable, date back to the 1470s-1475s and illustrate the transalpine artistic influence of the period.
At the beginning of the 17th century, the chapel was slightly redesigned to become the seat of the brotherhood of the White Penitents, whose furniture it still retains. Among its remarkable elements are a wooden altarpiece decorated with torso columns, a painting by the Crucifixion signed Pierre Puons, and a polychrome statue of Saint Marguerite from the 17th century, restored in the 19th century. The cult of this saint, very lively in Provence, explains the dedication of the building. These baroque additions contrast with the original medieval sobriety.
Classified as a historical monument since 20 January 2000, the chapel bears witness to both late Gothic art and the devotional practices of Alpine communities. Its painted decor, exceptional for the region, and its confraternal furniture make it a rare example of liturgical continuity between the Middle Ages and the modern era. The property of the municipality guarantees its preservation.
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