Initial construction vers 1230 (≈ 1230)
Donjon-room and thick walls on vaulted room.
1285
Donation to Manas
Donation to Manas 1285 (≈ 1285)
Sanche-Garcia de Manas became its lord.
XVIIe siècle
Western enlargement
Western enlargement XVIIe siècle (≈ 1750)
Addition of a body and interior fittings.
1984
MH classification
MH classification 1984 (≈ 1984)
Registration for Historical Monuments.
2022
Current restoration
Current restoration 2022 (≈ 2022)
Cultural project by the Joachim.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Castle (Box B 170): inscription by order of 8 February 1984
Key figures
Sanche-Garcie de Manas - Feudal Lord
Owner of the castle in 1285.
Frédéric et Anne-Claire Joachim - Current restaurants
Transform the castle into a cultural place since 2022.
Origin and history
The castle of Avevezan, built around 1230 in the Gers, is an emblematic example of gasconic castral architecture. Built on the remains of an earlier building, it initially incorporated a dungeon-room with thick walls, resting on a vaulted room. This first body, without openings on the ground floor, was accessible by a high door and a removable staircase, reflecting medieval defensive techniques. The upper floors, pierced by mirandes (outdoor galleries) and murderers, were served by a round road, illustrating the adaptation to the military needs of the time.
In the 17th century, the castle underwent major transformations with the addition of a western body and interior arrangements (right stairs, living rooms, paintings). This work, continued in the 18th century, modernized the building while preserving its medieval characteristics. The site, owned by the Viscounts of Lomagne, was ceded in 1285 to Sanche-Garcia de Manas, marking its anchor in local feudal history. Ranked a Historic Monument in 1984, it is now restored by Frédéric and Anne-Claire Joachim, who have made it a place dedicated to art and culture since 2022.
The castle embodies the architectural and social evolutions of the Biscay, moving from a medieval fortress to a seigneurial residence, then to a contemporary cultural heritage. Its three construction campaigns (XIII, XV, XVII–XVIII centuries) bear witness to its adaptation to successive political and aesthetic contexts, while preserving characteristic defensive elements such as mirandes and murderers. Its listing as historic monuments highlights its heritage value, both for its history and for its hybrid architecture.
Historical sources, including the work of Jacques Gardelles and Jean-Henri Ducos, underline his role in Lectourois, a region marked by feudal conflicts and seigneurial alliances. The original dungeon, later lined with a secondary building, reflects gasconic construction techniques, where the vaulted room served both as a base and as a reserve. The transformations of the 17th and 18th centuries, with the addition of towers and stairs, met the new needs for comfort and representation of local elites.
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