Crédit photo : Agence de publicité Chat Noir (Châtellerault) - Sous licence Creative Commons
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Timeline
Bas Moyen Âge
Renaissance
Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
1500
1600
1700
1800
1900
2000
1470-1490
Construction of the medieval house
Construction of the medieval house 1470-1490 (≈ 1480)
Initial edification with defensive towers.
XVIe siècle
Wall decoration of the chapel
Wall decoration of the chapel XVIe siècle (≈ 1650)
Religious paintings classified in 1862.
1857-1858
Creation of stained glass windows
Creation of stained glass windows 1857-1858 (≈ 1858)
Works by Baptiste Petit Girard.
1862
Classification of paintings
Classification of paintings 1862 (≈ 1862)
Protection of the decorations of the oratory.
1867
19th century works
19th century works 1867 (≈ 1867)
Major neo-Gothic renovations.
1994 et 2002
Additional classifications
Additional classifications 1994 et 2002 (≈ 2002)
Protection of commons and homes.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
The 16th century murals that adorn the oratory (Box P 214): ranking by list of 1862 and by decree of 18 October 1913 - The two wings of commons with their inner devices, with the exception, however, of the round tower located in the courtyard of honour (Box P 214); gardens with their factories (orangery, water castle) (cad. P 214 to 216): inscription by order of 22 June 1994 - The whole house, the tower, the wall and the parcel P 318 on which they are located: inscription by order of 12 December 2002
Key figures
Baptiste Petit Girard - Craft glassware
Author of stained glass (1857-1858).
Origin and history
The Château de Boismorand, located in Antigny in the department of Vienna (New Aquitaine), is a building dating back to the 4th quarter of the 15th century, between 1470 and 1490. Originally, the medieval home was protected by three round towers to the west and an advanced tower to the east, reflecting a defensive architecture typical of the late Middle Ages. The Gothic chapel, integrated into the building, retains an exceptional 16th century wall decor, illustrating religious scenes such as the childhood of Christ or the Last Judgment.
In the 19th century, the castle underwent major transformations in a neo-Gothic style, with the addition of a south-west wing and a building connecting the house to the northeast tower. The interiors, like the billiard room, are recomposed in this same spirit, while the commons and gardens, dating from this period, complete the whole. The glass windows, partly from the 16th century and partly created by Baptiste Petit Girard in 1857-1858, bear witness to this dual temporal influence. The site, classified as Historic Monument, also preserves vestiges of enclosure suggesting a possible origin from the thirteenth century.
The murals of the Oratory, classified in 1862, are one of the most remarkable elements of the castle. They represent medieval themes such as the Dict of the three dead and the three alive or Christ in glory surrounded by the tetramorph, offering a rare glimpse of religious iconography of the era. The additions of the 19th century, although stylistically distinct, harmoniously integrate with the medieval structure, creating an architectural dialogue between the epochs.
The castle of Boismorand is today a private property, partially open to the visit. Its history reflects the architectural and social evolutions of Vienna, a department marked by its poitevin heritage and its transformations in the 19th and 20th centuries, especially with the development of tourism around sites like Futuroscope. The region, once a zone of passage between the North and the South of France, has preserved monuments such as Boismorand, witness to its rich medieval and modern past.
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