Registration Historic Monument 1986 (≈ 1986)
Official protection of the building.
2000-2013
Period of abandonment and vandalism
Period of abandonment and vandalism 2000-2013 (≈ 2007)
Squat and theft of decorative elements.
2017
Start of restoration
Start of restoration 2017 (≈ 2017)
Purchase by Nicolas Chenivesse.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Castle (Case B 91): inscription by order of 4 August 1986
Key figures
Imbert de Batarnay (1438?-1523) - Royal Councillor and Chamberlain
Owner, born at the castle, close to Louis XI.
Louis XI (1423-1483) - King of France
Rencontra Imbert de Batarnay teen.
Jacques Coste - First President of Dauphiné
Transformed the interior, obtained the county in 1652.
Marie-Françoise de Simiane - Wife of Jacques Coste
Arms in the 17th century oratory.
Auguste de Beugny d'Hagerue (1833-1892) - Owner and military
Fighted in 1870 to defend Paris.
Nicolas Chenivesse - Owner-restaurant since 2017
Repurchase and restoration of the castle.
Origin and history
The Château de Charmes-sur-l'Herbass, located in the Drôme (Auvergne-Rhône-Alpes), finds its origins in the 11th century, on the presumed location of a wooden tower and a 10th century enclosure. In a strategic position overlooking the Herbass Valley, it illustrates feudal defensive architecture. In the 13th and 14th centuries, it belonged to the family of Nerpol, then passed to the Batarnay through the marriage of Aymare de Nerpol with Jordan II de Batarnay in 1340. Their descendant, Imbert de Batarnay (1438?-1523), was born there and met the future Louis XI about 1455, marking the beginning of his career as chamberlain and royal councillor under Louis XI, Charles VIII, Louis XII and François I.
Transformed during the Renaissance, the castle loses its purely military aspect: the medieval openings are walled, replaced by sill windows, and the interiors are redesigned. In the 17th century, Jacques Coste, the first president of the Dauphiné, made it a county in 1652 and added marble chimneys and a grey decor in the oratory, reflecting its social status. The gardens, with basins and nymphs fed by a complex hydraulic system, date back to the 18th century. The castle escapes revolutionary degradation, but undergoes neo-Gothic modifications in the 19th century, like the wooden staircase between the floors.
In the 20th century, the castle experienced a turbulent period: squatted and vandalized between 2000 and 2013, it lost some of its furniture and decorations (chimneys, woodwork, stained glass). Since 2017, Nicolas Chenivesse, 20 years old at the time of his acquisition, has led an ambitious restoration with volunteers. Roofs, interiors and gardens are rehabilitated, and stolen elements (such as a carved door or a bust attributed to Ronsard) are returned or recreated. Today open to the public, the castle combines historical heritage and cultural activities, perpetuating its central role in local life.
The building, inscribed in the Historical Monuments in 1986, features a quadrilateral covered with tiles, flanked by a dungeon and two round towers. Its interior reveals emblematic rooms: the large living room with its Renaissance fireplace sculpted with busts and vegetal motifs, the oratory with coat of arms of Coste and Simiane (17th century), or the chambres d'appartat lambrissées. The 14th century undergrounds, partially collapsed, bear witness to its defensive past. The traces of the coat of arms of the Nerpol (13th-XIVth centuries) on the southern facade remind its first lords.
The castle embodies nearly a thousand years of history, from feudal origins to contemporary renaissance. Its architecture, marked by successive transformations (Renaissance, classical, neo-Gothic), reflects the tastes and power of its owners: medieval lords, royal councillors, Dauphinian magistrates. The degradations of the 21st century, followed by exemplary restoration, underline its resilience and its anchoring in the Drômois heritage. The French ponds, nymphae and gardens complete this site, classified for its historical and artistic interest.
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