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Château de la Calade à Aix-en-Provence dans les Bouches-du-Rhône

Patrimoine classé
Patrimoine défensif
Demeure seigneuriale
Château
Bouches-du-Rhône

Château de la Calade

    1330 Chemin du Château de la Calade
    13100 Aix-en-Provence
Château de la Calade
Château de la Calade
Château de la Calade
Château de la Calade
Crédit photo : Guillaume Medail - Sous licence Creative Commons

Timeline

Bas Moyen Âge
Renaissance
Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
1500
1600
1700
1800
1900
2000
1454
Pavement of the Royal Road
1632–1653
Construction of the castle
1800–1804
Panoramic wallpaper
2011
Partial MH registration
2015
MH classification
Aujourd'hui
Aujourd'hui

Heritage classified

The castle in total, as well as the facades and roofs of its two wings of communes and the remaining parts of the historic park as shown in the plan annexed to the decree (Box MS 90, Placedit La Calade): inscription by decree of 25 May 2011

Key figures

Jérôme de Duranti (ou Duranti de la Calade) - Adviser to the Court of Auditors of Provence Sponsor and first owner of the castle (1632).
Pierre-Antoine Mougin - Painter and draftsman Author of the drawings of the wallpapers (1800–1804).

Origin and history

The Château de la Calade, located in Puyricard (municipality of Aix-en-Provence), was built from 1632 on the banks of the Touloubre for Jérôme de Duranti, adviser to the Court of Accounts of Provence. Its architecture, inspired by the 16th century rather than the 17th century, is distinguished by a stairwell adorned with gypseries and decorations borrowed from Aix-en-Provence private hotels. Originally equipped with four towers, two were destroyed during the French Revolution. The site derives its name from an ancient paving (calade) made in 1454 to stabilize the nearby royal road, then prone to flooding.

At the beginning of the First Empire, the castle was enriched with panoramic wallpapers, including one representing the Bagatelle gardens (1800–1804), considered the first French example of its kind. Produced by the Dufour manufacture, this decor is inspired by the engravings of Debucourt and drawings by Pierre-Antoine Mougin. The large room on the first floor has a trompe-l'oeil of draperies. These additions reflect the evolution of aristocratic tastes between mannerism and neoclassicism.

Ranked a historic monument in 2015 (after a partial inscription in 2011), the castle includes in its protection the facades of the communes and the remains of its park. Private property, it illustrates the Provencal architectural heritage, combining defensive utility (bridge and paved road) and residential aesthetics. Its history also documents social transformations, from the nobility of dress (Duranti) to revolutionary upheavals.

The notarial acts (1632–53) attest to its construction in two decades, while the interior decorations — gypsies, wallpapers and trompe-l'oeil — bear witness to various artistic influences, from Aix-en-Provence in Paris. The La Calade site perpetuates the memory of medieval road development, a symbol of the challenges posed by the marshy territory.

External links