Logo Musée du Patrimoine

All French heritage classified by regions, departments and cities

Château de La Roche in Larochemilllay à Larochemillay dans la Nièvre

Patrimoine classé
Patrimoine défensif
Demeure seigneuriale
Château de style Classique
Nièvre

Château de La Roche in Larochemilllay

    72 Le Bourg
    58370 Larochemillay
Crédit photo : Moreau.henri - Sous licence Creative Commons

Timeline

Haut Moyen Âge
Moyen Âge central
Bas Moyen Âge
Renaissance
Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
800
900
1400
1500
1600
1700
1800
1900
2000
VIIIe siècle
First castle attested
1412
Fire of the medieval castle
1720
Start of reconstruction
1736
Completion of work
15 mars 2002
Registration for Historic Monuments
18 décembre 2008
Partial fire
Aujourd'hui
Aujourd'hui

Heritage classified

The entire castle; the facades and roofs of the common and the house of the administrator; the medieval tower; the terrace with its balustrades; Basement walls; both portals; the grip of the garden (cf. B 285, 294, 296, 297, 759, 760): registration by order of 15 March 2002

Key figures

Maréchal de Villars - Initial sponsor Acheta the seigneury in 1720
Michel-Ange Caristie - Architect Designs the current castle
François de La Ferté-Meun - Owner and patron Completed the construction in 1736
Jean II de La Roche-Millay - Medieval Lord Organized a coup de force in 1253
Joseph-René de Rousselle - Count of La Roche-Millay Title granted by Louis XIV

Origin and history

The Château de La Roche in Larochemillay, Burgundy-Franche-Comté, succeeds a long line of fortresses attested from the eighth century. Placed on a rocky peninsula, the site of an ancient Roman oppidum, it was the heart of a powerful barony of Nivernais. The village developed under its protection, reflecting its central role in the local feudal organization. Two circular towers and ramparts remain of the medieval castle, destroyed by fire in 1412.

The present castle, built between 1720 and the first quarter of the 18th century, was commissioned by the Marshal of Villars and completed by Count François de La Ferté-Meun with architect Michelangelo Caristie. Its classic and sober style contrasts with the romantic remains of the collapsed dungeon. The interior decorations, although redesigned in the 19th century, retain elements from the 18th century. A fire in 2008 partially destroyed the east wing, and a collapse of the enclosure wall in 2017 required restorations still in progress.

The seigneury of La Roche-Millay, dependent on the duchy of Nivernais, counted at the end of the Ancien Régime 33 seigneuries in high justice and more than 50 in average or low court. Its estates included 13 forests and 19 ponds, generating considerable revenue. Louis XIV raised the title of the family owner to that of Count at the end of the seventeenth century. The castle, listed as a historical monument in 2002, was successively owned by the families of Noailles and Montesquiou-Fezensac after 1851.

The history of the castle is marked by violent episodes, such as the destruction of a first building in 762 during the conflicts between Waifre, Duke of Aquitaine, and Pépin the Brief. In the 12th century, John II of La Roche-Millay organized a bold coup in Autun to free imprisoned lords, before being condemned to public humiliation. The archives of the seigneury, burned in 1792, deprive historians of many details of its feudal administration.

The strategic site dominates the confluence of the Roche River and the Marauds Creek. Its current architecture, despite the vicissitudes, bears witness to the transition between the medieval fortress and the aristocratic residence of the Enlightenment. The restoration works aim to preserve this heritage, classified as one of the sites selected for the Heritage Lotto in 2018.

The nearby Saint-Gengoult chapel and the fortress of Touleur, close to the sea, underline the historical importance of this area of Morvan. The castle, open to visit under conditions, remains a symbol of feudal and then nobiliary power in Nivernais, between military heritage and classical elegance.

External links