Construction of the fortress 1153 (≈ 1153)
Edited by Eudes II against the bishops.
1477
Destruction on Royal Order
Destruction on Royal Order 1477 (≈ 1477)
Fortress shaved by Louis XI.
1622
Start of the current castle
Start of the current castle 1622 (≈ 1622)
Renaissance reconstruction.
1657
Adding wings and roof
Adding wings and roof 1657 (≈ 1657)
Varnished tiles and extensions.
1789
Woodlot recovery
Woodlot recovery 1789 (≈ 1789)
From the house of Rolin.
27 janvier 1997
Historical Monument
Historical Monument 27 janvier 1997 (≈ 1997)
Protection of facades and outbuildings.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Castle, including the chapel-bridge, outbuildings including orangery and the room of the neo-Gothic archives, the dovecote (C 206, 207, 212, 214): inscription by order of 27 January 1997
Key figures
Eudes II (1118-1162) - Lord and builder
Sponsor of the fortress in 1153.
Louis XI - King of France
Order destruction in 1477.
Nicolas Rolin - Former owner of woodwork
Woodworks recovered after 1789.
Origin and history
The castle of Villiers-le-Duc came into being in the 12th century, when a fortress was built in 1153 by Eudes II (1118-1162) to counter the bishops of Langres. Destroyed in 1477 by order of Louis XI, only his chapel, integrated into the parish church, remains today. This first building reflected the feudal tensions of the time between local lords and ecclesiastical power.
The present castle was erected from 1622 on the remains of the old fortress, marking a transition to Renaissance architecture. In 1657, two wings and a roof in varnished tiles, characteristic of the region, were added. These works illustrate the evolution of aristocratic tastes in the 17th century, combining aesthetics and functionality.
Ranked a Historic Monument in 1997 for its facades, roofs, chapel-bridges and outbuildings (including an orangery and a dovecote), the castle retains remarkable elements such as a 17th century four-core staircase and neo-Gothic woodwork. These woodwork, recovered after the Revolution in the strong house of Nicolas Rolin in Courcelles, testify to the political upheavals of the period and the recycling of heritage.
The architecture of the castle is distinguished by a glass brick gallery linking the building to the nearby church, as well as by gardens to the French. These developments reflect the influence of Italian models and the symbolic importance of gardens in noble residences. A private property, the castle today embodies a military, religious and residential heritage.
Historical sources, such as the Annales de Bourgogne (1959) or the works of René Paris (1987), underline its role in the bailliage of the Mountain in the 14th century. Although partially destroyed and rebuilt, the site remains a significant example of the adaptation of medieval castles to the canons of the Burgundy Renaissance.
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