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Château des Rochers Sévigné à Vitré en Ille-et-Vilaine

Patrimoine classé
Manoir
Demeure seigneuriale
Château de style Gothique
Ille-et-Vilaine

Château des Rochers Sévigné

    Route d'Argentré-du-Plessis 
    35500 Vitré
Château des Rochers Sévigné
Château des Rochers Sévigné
Château des Rochers Sévigné
Château des Rochers Sévigné
Château des Rochers Sévigné
Château des Rochers Sévigné
Château des Rochers Sévigné
Château des Rochers Sévigné
Château des Rochers Sévigné
Château des Rochers Sévigné
Château des Rochers Sévigné
Château des Rochers Sévigné
Crédit photo : Auteur inconnu - Sous licence Creative Commons

Timeline

Bas Moyen Âge
Renaissance
Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
1400
1500
1600
1700
1800
1900
2000
1410
Transmission to Sevigné
1671
Construction of the chapel
1689
Creation of the garden
1715
Sale to Hay des Netumières
1982
Restoration of the garden
1995
Registration historical monument
Aujourd'hui
Aujourd'hui

Heritage classified

Château des Rochers, chapel, park and all of the estate (CX 12, 16 to 20, 22 to 26, 29 to 34, 36): inscription by order of 20 March 1995

Key figures

Madame de Sévigné - Famous epistolar He wrote his letters here for his daughter.
Anne de Mathefelon - Heir of the Rocks Passed the seigneury to the Sevigné in 1410.
Guillaume III de Sévigné - Lord of the Rocks Husband of Anne of Mathefelon in 1410.
Jean-Paul Hay des Nétumières - Acquirer in 1715 Marquis, relative of Sévigné and new owner.
Charles de Sévigné - Son of Madame de Sévigné Created the garden in 1689.
Abbé de Coulanges - Uncle of Madame de Sévigné Dedication of the chapel in 1671.

Origin and history

The Château des Rochers-Sévigné, built on a rocky hill near Vitré (Ille-et-Vilaine), is a 15th century Gothic mansion transformed in the 16th, 17th and 18th centuries. He owes his fame to Madame de Sévigné (1626–96), who stayed there after the death of her husband and wrote his famous letters to his daughter, Françoise de Sévigné. The property, organized in L with two towers, includes an octagonal chapel built in 1671 for his uncle, Abbé de Coulanges, as well as a French garden created in 1689 and restored in 1982.

The seigneury of the Rocks, dependent on the Barony of Vitré, passed into the hands of several noble families. In the 15th century, it belonged to the Mathefelon, who transferred it by marriage to the Sévigné in 1410. Sévigné's family kept it until the beginning of the 18th century, when it was sold in 1715 to Jean-Paul Hay, Marquis des Netumières, a relative of the Sévigné and a partial heir to the estate. The Hay des Netumières, Breton parliamentarians, enlarged the estate in the 18th century with commons ( stables, orangery) and acquired the Hotel de Sévigné in Vitré, thus bringing together previously dispersed goods.

The castle, partially listed as a historical monument in 1942 and 1944, benefited from an overall inscription in 1995. Her park, her alleys christened by Madame de Sévigné, and her "resonant wall" — used to read texts to her daughter — illustrate the literary and family intimacy of the place. Today a private property, the estate houses an associated museum, a golf course and reception rooms, perpetuating its link with Breton and epistolary history.

The legal history of the seigneury reveals a typical complexity of the Ancien Régime: although the Rocks were only an average of justice, their owners also exercised high justice through other fiefs acquired by alliances (the Hague of Torce, the Pine). These courts were centralized in Etrelles in the 17th century, strengthening the prestige, albeit disputed, of the Sévigné as high-ranking magistrates. The transmission of the estate reflects the marriage and inheritance strategies of the Breton aristocracy, from the Mathefelons (XIIIth-15th centuries) to the Simianes and Hay des Netumières (XVIIIth century).

Architecturally, the square house, modified in the 17th and 18th centuries, retains original Gothic elements. The chapel, dedicated to the Abbé de Coulanges (the "Bien-Bon"), and the French garden, recreated according to the plans of 1689, testify to the artistic tastes of the period. The 18th century commons, of "beautiful quality", and the glazed pavilion added in 1885 show a continuous evolution of the estate, between medieval heritage and modern adaptations. The site, open to the public, thus combines literary memory, architectural heritage and preserved landscape.

External links