Crédit photo : Original téléversé par F5ZV sur Wikipédia français - Sous licence Creative Commons
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Timeline
Moyen Âge central
Bas Moyen Âge
Renaissance
Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
1200
1300
1400
1500
1600
1700
1800
1900
2000
XIIe siècle
Construction of the Romanesque portal
Construction of the Romanesque portal XIIe siècle (≈ 1250)
Original portal of the first church.
XVe siècle
Partial reconstruction of the church
Partial reconstruction of the church XVe siècle (≈ 1550)
Expansion or repair of the original building.
1854-1859
Destruction of the old church
Destruction of the old church 1854-1859 (≈ 1857)
Demolition due to age and smallness.
1858-1862
Construction of the new church
Construction of the new church 1858-1862 (≈ 1860)
Neoroman building by Abel Mathey and Antoine Nitre.
4 août 1908
Portal classification
Portal classification 4 août 1908 (≈ 1908)
Protection for historical monuments.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Portal: by order of 4 August 1908
Key figures
Abel Mathey - Architect
Designer of the new church (1858-1862).
Antoine Nitre - Entrepreneur
Builder of the current building.
Humbert - Architect (1854)
Described the old church before destruction.
Origin and history
Saint-Martin de Pompierre Church, located in the Vosges department, is a neo-Roman-style religious building built between 1858 and 1862. It replaces a first parish church of the 12th century, partially rebuilt in the 15th century, but destroyed between 1854 and 1859 due to its poor condition, insufficient size and outlying location. The new building, designed by architect Abel Mathey and designed by entrepreneur Antoine Nitre, incorporates the Romanesque portal of the old church, dismantled and assembled stone by stone. This portal, dated from the end of the 12th century, is considered the most beautiful example of Romanesque sculpture in Lorraine.
The Romanesque portal, classified as a historical monument in 1908, is distinguished by its bas-reliefs in excellent conservation condition. The tympanum represents the Adoration of the Magi, while the lintel illustrates Jesus' entrance to Jerusalem. The arches in the middle of the wall, adorned with zigzag, are supported by six finely carved capitals and columns, mixing plant motifs, animals and biblical scenes like the Resurrection of Lazarus. The Burgundy influence, a region known for its Romanesque churches, is evident.
The present church, although mostly from the 19th century, thus preserves a major testimony of Lorrain Romanesque art. The gate, protected by a wooden appentis, remains the most remarkable element of the monument, attracting attention for its iconographic richness and artistic quality. The carved scenes, such as the massacre of the Innocents or the flight to Egypt, offer a valuable insight into medieval religious symbolism.
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