First written entry 1120 (≈ 1120)
Papal Bull of Calixte II citing the church.
XIe siècle
Foundation of Benedictine Priory
Foundation of Benedictine Priory XIe siècle (≈ 1150)
Creation of the *Monasterium Sancti Raphaelis* dependent on Tourtoirac.
XIVe siècle
Destruction during the Hundred Years War
Destruction during the Hundred Years War XIVe siècle (≈ 1450)
Disappeared from the original priory.
vers 1889
Reconstruction of the nave
Reconstruction of the nave vers 1889 (≈ 1889)
Modern work preserving transept and sacristy.
1910
Trial for the theft of sculptures
Trial for the theft of sculptures 1910 (≈ 1910)
20 missing 11th century stones.
1927
Historical Monument
Historical Monument 1927 (≈ 1927)
Protection of Romanesque pillars and capitals.
2008–2013
Restoration of frescoes
Restoration of frescoes 2008–2013 (≈ 2011)
Discharge of decorations painted in the choir.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
The two pillars of the old church and the two sculpted capitals embedded in the outer wall of the sacristy: inscription by decree of 22 February 1927
Key figures
Calixte II - Pope (1119–1124)
Author of the bubble mentioning the church in 1120.
Jean Debetz - Curé de Saint-Raphaël (17th century)
Sponsor of a plaque and statue in 1674.
Origin and history
The church of Saint-Raphaël of Saint-Raphaël, Dordogne, is mentioned for the first time in 1120 in a papal bubble of Calixte II under the name Ecclesiam S. Raphaëlis. It then belonged to the Abbey of Tourtoirac and served as Benedictine priory, founded in the 11th century. This priory, identified as Monastery Sancti Raphaelis in the 13th century, depended on the châtellenia of Excideuil in the 14th century. The Hundred Years' War would have caused its destruction, marking a turning point in its history.
In the 19th century, important works (circa 1889) transformed the church: the nave was rebuilt by preserving the transept, sacristy and a span of origin. These renovations, although modernising, lead to the disappearance of many medieval carved elements. In 1910, the commune brought a lawsuit against the parish priest for the theft of 20 carved stones from the 11th century. The building was partially classified as a Historical Monument in 1927 for its two Romanesque pillars and built-in capitals.
The current architecture combines Romanesque remains (gates, arch-button pillars) and neo-Gothic additions (square collar, pentagonal choir). The preserved capitals, such as those representing Christ in mandorl or Adoration of the Magi, bear witness to his rich medieval decor. Murals were rediscovered in the choir during restorations (2008–2013). Several liturgical objects (XI–XIX centuries) are protected, while sculptural fragments are now scattered in American museums.
Historical furniture includes a statue of St Victurnian (1674), formerly associated with a local cult at St Remy, attracting pilgrims until the 19th century. A bell of 1753, a 17th century walnut pulpit and silver objects (calice, ciborie) complete this heritage. The church, a communal property, remains a symbol of the religious and artistic heritage of the Dordogne.
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