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Saint George Church of Villers-Bocage dans la Somme

Somme

Saint George Church of Villers-Bocage

    1 Impasse de la Mare
    80260 Villers-Bocage

Timeline

Bas Moyen Âge
Renaissance
Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
1300
1400
1500
1600
1700
1800
1900
2000
XIIIe siècle
Construction of the nave
XVIe siècle
Expansions and decor
XVIIIe siècle
Changes in openings south
XIXe siècle
Adding a side door
1903
Installation of the cave
1906
Restoration of the Tombing
Aujourd'hui
Aujourd'hui

Key figures

Eugène Grevet - Restorative painter Repainted the tomb in 1906.
Saint Georges - Religious figure and martial Represented in a carved group.

Origin and history

The church of Saint-Georges de Villers-Bocage, located in the Somme department, is a religious building built between the 13th and 16th centuries. Its flamboyant Gothic architecture, marked by a 13th century gable wall façade, is complemented by a quadrangular bell tower. The openings, modified in the 18th and 19th centuries, reflect successive adaptations: broken arch windows in the north (XVI century), curved lintels in the south (XVIII century), and a side door added in the 19th century. The nave, dating back to the 13th century, preserves an ancient structure with visible indentations and punches, while the arcades rest on chamfered square pillars.

The choir and its five-sided apse, preceded by a transept, present a more elaborate arcade decor than that of the nave. The arches are based on columns adorned with four-billed tiles, typical of the 16th century. At the entrance of the choir, four carved stalls of the second half of the sixteenth century illustrate holy figures and evangelists. The church also houses a Repainted Tombing in 1906 by Eugene Grevet, as well as a painted plaster Lourdes cave, installed in 1903 in the northern chapel. A carved group representing Saint George fighting the dragon is exposed in the north transept.

The building, built in chalk, reflects the architectural and artistic evolution of the region, mixing medieval elements and later additions. Its portal, framed by four columns, and its sides flanking the nave underline its historical and religious importance in the local community. Changes to the openings and the presence of works of art such as the Tombing or carved stalls enrich its heritage, reflecting both liturgical practices and varied artistic influences.

External links