Construction of the nave XIIIe siècle (≈ 1350)
Nef and facade in built gable wall.
XVIe siècle
Expansions and decor
Expansions and decor XVIe siècle (≈ 1650)
Choir, apse, carved stalls and columns.
XVIIIe siècle
Changes in openings south
Changes in openings south XVIIIe siècle (≈ 1850)
Curved windows pierced.
XIXe siècle
Adding a side door
Adding a side door XIXe siècle (≈ 1865)
North gate pierced and interior changes.
1903
Installation of the cave
Installation of the cave 1903 (≈ 1903)
Lourdes cave in painted plaster.
1906
Restoration of the Tombing
Restoration of the Tombing 1906 (≈ 1906)
Painting by Eugene Grevet.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Key figures
Eugène Grevet - Restorative painter
Repainted the tomb in 1906.
Saint Georges - Religious figure and martial
Represented in a carved group.
Origin and history
The church of Saint-Georges de Villers-Bocage, located in the Somme department, is a religious building built between the 13th and 16th centuries. Its flamboyant Gothic architecture, marked by a 13th century gable wall façade, is complemented by a quadrangular bell tower. The openings, modified in the 18th and 19th centuries, reflect successive adaptations: broken arch windows in the north (XVI century), curved lintels in the south (XVIII century), and a side door added in the 19th century. The nave, dating back to the 13th century, preserves an ancient structure with visible indentations and punches, while the arcades rest on chamfered square pillars.
The choir and its five-sided apse, preceded by a transept, present a more elaborate arcade decor than that of the nave. The arches are based on columns adorned with four-billed tiles, typical of the 16th century. At the entrance of the choir, four carved stalls of the second half of the sixteenth century illustrate holy figures and evangelists. The church also houses a Repainted Tombing in 1906 by Eugene Grevet, as well as a painted plaster Lourdes cave, installed in 1903 in the northern chapel. A carved group representing Saint George fighting the dragon is exposed in the north transept.
The building, built in chalk, reflects the architectural and artistic evolution of the region, mixing medieval elements and later additions. Its portal, framed by four columns, and its sides flanking the nave underline its historical and religious importance in the local community. Changes to the openings and the presence of works of art such as the Tombing or carved stalls enrich its heritage, reflecting both liturgical practices and varied artistic influences.
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