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Saint Pierre and Saint Paul de Caillac Church dans le Lot

Patrimoine classé
Eglise romane
Caquetoire
Eglise Renaissance et néo-Renaissance
Lot

Saint Pierre and Saint Paul de Caillac Church

    Caillac
    46140 Caillac
Église Saint-Pierre-et-Saint-Paul de Caillac
Église Saint-Pierre-et-Saint-Paul de Caillac
Église Saint-Pierre-et-Saint-Paul de Caillac
Église Saint-Pierre-et-Saint-Paul de Caillac
Église Saint-Pierre-et-Saint-Paul de Caillac
Église Saint-Pierre-et-Saint-Paul de Caillac
Église Saint-Pierre-et-Saint-Paul de Caillac
Église Saint-Pierre-et-Saint-Paul de Caillac
Crédit photo : Danielle Drieu - Sous licence Creative Commons

Timeline

Moyen Âge central
Bas Moyen Âge
Renaissance
Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
1100
1200
1300
1400
1500
1600
1700
1800
1900
2000
1130
First mention of the church
1151
Construction of a chapel
1254
Pass under episcopal snack
vers 1520
Reconstruction of bedside and chapels
XVIe siècle
Construction of sacristy
18 octobre 1979
Historical monument classification
Aujourd'hui
Aujourd'hui

Heritage classified

Church (Box B 1122): Order of 18 October 1979

Key figures

Izarn de Luzech - Donor Cedes the church to the chapter of Cahors in 1130.
Dorde de Luzech - Suspected Sponsor Had built a chapel in 1151.
Jan Tysievicz - Painter Author of a painting (1848) in the church.

Origin and history

The church of Saint-Pierre-et-Saint-Paul de Caillac, first mentioned in 1130, was given in the chapter of Cahors Cathedral by Izarn de Luzech. A chapel was reportedly built there in 1151 by Dorde de Luzech. The Romanesque nave, dated the twelfth century, is one of the oldest elements of the building. From 1254 on, the church passed under the collation of the bishop, marking a transition in his ecclesiastical administration.

At the beginning of the 16th century, the choir, bedside and side chapels were rebuilt, incorporating Renaissance decorative elements. The southern gate, of Romanesque origin, was enriched around 1520 by a carved decoration of Arabicsques, while the sacristy, added in the 16th century, bears the traces of a wooded armored window. These transformations reflect stylistic evolution and local artistic influences, including those of the Château Lagrézette.

Ranked a historic monument in 1979, the church combines a unique nave covered with a glazed ceiling with dogive vaults decorated with armored keys. The bell tower, two-storey arcades, and the painted decorations of the choir, imitating sculptures, testify to the architectural richness of the building. Several movable objects, including a painting by Jan Tysievicz (1848), complete his interior heritage.

The building also preserves traces of its Romanesque origin, such as the outer archicvolt of the southern gate, decorated with billets, while the modifications of the 15th and 16th centuries, such as the chapels forming a false transept, illustrate its adaptation to the liturgical and aesthetic needs of later eras.

External links