Origin of the church and priory IXe siècle (≈ 950)
Presumed foundation of the priory and church.
XIIe siècle
Wall paintings of the nave
Wall paintings of the nave XIIe siècle (≈ 1250)
Bible scenes (Annunciation, Visitation) painted.
XVIe siècle
Decorations and fittings Renaissance
Decorations and fittings Renaissance XVIe siècle (≈ 1650)
Paintings of the abside, crypt and coat of arms.
1833
Reconstruction of the porch and bell tower
Reconstruction of the porch and bell tower 1833 (≈ 1833)
After a fire, integration of a 14th century vestige.
11 décembre 1912
Historical Monument
Historical Monument 11 décembre 1912 (≈ 1912)
Church protection (excluding bell tower and porch).
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Key figures
Famille Du Bellay - Local Lords
Arms present in the vaulted choir.
Famille Marescot - Local Lords
Arms associated with those of the Du Bellay.
Origin and history
Saint-Pierre de Souday Church, classified as a Historic Monument in 1912, was founded in the 9th century, linked to a priory on which it depended. Its current structure is the result of several periods of construction and major transformations. The porch and bell tower, rebuilt in 1833 after a fire, incorporate a 14th century vestige: a column and its capital. The nave, partially preserved, houses 12th-century murals (bible scenes such as the Annunciation and the Visitation), while the raised choir, accessible by an crypt, reveals traces of 16th-century frescoes under the seigneurial chapel.
The crypt, accessible by a bay adorned with pilasters with arabesques, preserves paintings by the Evangelists dated the 16th century, when a southern gate was also built giving access from the old cemetery. The choir, vaulted with hanging keys, bears coats of arms of the families Du Bellay and Marescot, testimonies of their local influence. The protected elements (excluding bell tower and porch) illustrate this historical stratification, from Carolingian foundations to Renaissance additions to 19th-century renovations.
The building is distinguished by its southern seigneurial chapel, its ground in staggered between the nave and the choir, and its painted decorations, reflecting the artistic and religious evolutions of the region. The paintings of the 12th century, located high in the nave, contrast with the later motifs of the abside and crypt, offering a panorama of medieval and modern pictorial techniques. The fire of 1833, though destructive, allowed the partial preservation of these testimonies, now protected under the Historical Monuments.