Construction of old parts vers 1250 (≈ 1250)
Choir tower and primitive Gothic foundations.
1758
Reconstruction of the nave and elevation
Reconstruction of the nave and elevation 1758 (≈ 1758)
Expansion financed by the von Berstett.
1938
Major restoration
Major restoration 1938 (≈ 1938)
Conservation work of the monument.
années 1990
Restoration campaign
Restoration campaign années 1990 (≈ 1990)
Upgrade and maintenance of the building.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Key figures
Philipp Rheinhartd von Berstett - Knight and patron
Suspected financer of the 1758 works.
Welm Jacob von Berstett - Knight and patron
Philipp's brother, a funding partner.
Origin and history
The church of Saints-Pierre-et-Paul of Olwisheim, located in the Bas-Rhin in Alsace, is an emblematic monument whose oldest parts date back to the middle of the thirteenth century. It illustrates Alsatian architectural evolution, with a reconstructed nave and a tower raised in 1758, then restorations in the 20th century (1938 and 1990s). Its status as a simultaneous church reflects the complex religious history of the region, where Catholics and Protestants have shared the same place of worship for centuries.
The choir tower, of square plan and primitive Gothic style, once served as a refuge for the population in case of attacks. Its three levels, separated by pink sandstone bands, house a vaulted choir and a bell chamber. Late Gothic niches and 18th-century windows reflect successive changes. A plaque engraved on behalf of the knights Philipp Rheinhartd and Welm Jacob von Berstett suggests their role in financing the 1758 works.
The nave, rebuilt in the eighteenth century, reuses medieval foundations and an ancient western facade. Its modest interior is enlarged by wooden stands, one of which supports the organ. The furniture includes a pulpit of 1680 and an altar common to both denominations, replacing the separate altars of origin. The doors and bays, typical of the Baroque era, contrast with the preserved Gothic elements.
The church embodies the cultural and religious duality of Alsace, marked by periods of conflict and coexistence. Its defence tower recalls medieval insecurities, while its subsequent transformations reflect adaptation to community needs. Modern restorations (XX century) aimed to preserve this hybrid heritage, a local symbol of shared history.
Furniture and architecture combine Gothic, Renaissance and Baroque influences, illustrating artistic exchanges in Alsace. The plaque of the Knights von Berstett and the pulpit of 1680 are among the rare elements attributable to precise personalities or periods. Today, the church remains an active place of worship and a testimony of regional historical dynamics.
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