Initial construction XIIe siècle (≈ 1250)
Sheep and wall of novels preserved
XVe siècle (probable)
Postwar reconstruction of One Hundred Years
Postwar reconstruction of One Hundred Years XVe siècle (probable) (≈ 1550)
Major structural change
Début XVIe siècle
Wall paintings of the bedside
Wall paintings of the bedside Début XVIe siècle (≈ 1604)
Christ and Tetramorph attributed to this period
29 novembre 1976
Historical monument classification
Historical monument classification 29 novembre 1976 (≈ 1976)
Official building protection
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Église Saint-Pierre-Liversou (cad. C 165): Order of 29 November 1976
Key figures
Information non disponible - No historical character cited
Sources do not mention any specific actors
Origin and history
The church Saint-Pierre-ès-liens de Francoulès, located in the Lot en Occitanie department, is a Catholic building dating back to the 12th century. From this period remain a part of the semicircular bedside arched in cul-de-four and a section of the wall of the nave. These Romanesque elements bear witness to the first phase of construction, characteristic of medieval regional religious architecture.
The Hundred Years' War (14th-15th centuries) profoundly marked the history of the monument, leading to its major reconstruction probably in the 15th century. This work campaign changed the original structure, adding in particular a southern chapel whose exact date remains unknown. The bedside preserves exceptional murals, including a Christ surrounded by the Tetramorph (early 16th century) and scenes of the Annunciation and Adoration of the Magi, attributed to distinct artists.
Classified as a historical monument by decree of 29 November 1976, the church now belongs to the commune of Francoulès. Its unique nave plan, vaulted in a full-fine cradle, and its painted decor make it a remarkable example of the religious heritage of Lotois. The materials used – mechanical tiles for the nave, lauzes for the apse – reflect local resources and traditional covering techniques.
The building was initially linked to the nearby priory of Molières, highlighting its role in the medieval religious network. The frescoes of the southern transept, partially hidden under the coat, and the old southern entrance recall the liturgical and architectural transformations that have been undergone over the centuries. The church thus illustrates the evolution of religious and artistic practices between the Middle Ages and the Renaissance in Quercy.