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Church of Santiago de Daours dans la Somme

Somme

Church of Santiago de Daours

    13 Rue de la République
    80800 Daours

Timeline

Révolution/Empire
XIXe siècle
Époque contemporaine
1900
2000
1860
Demolition of the old church
1860–1865
Construction of the current church
Aujourd'hui
Aujourd'hui

Key figures

Victor Delefortrie - Architect Designer of the neo-Gothic church.

Origin and history

The church of Santiago de Daours is located in the heart of the village, about ten kilometers east of Amiens, in the department of the Somme. It was erected between 1860 and 1865 to replace an earlier building, demolished in 1860. Designed by architect Victor Delefortrie, it adopts a marked neo-Gothic style, with a brick structure and stone foundations and old stoneware. The facade, adorned with three gates, features a 25-metre bell tower topped by a 15-metre arrow, itself bent by a cross and a cock.

The materials used reflect local artisanal know-how: Vergelet's stone (or Saint-Leu's stone) frames berries, roses and portals, while the oak frame supports Fumay's slate cover. Inside, the 23-metre-long central nave, flanked by bottoms, is rhythmized by six columns decorated with foliage capitals. The plaster vaults on lattis peak at 12 meters in the nave and 7 meters in the lower side. The choir, raised from a walk, is illuminated by geminous berries and trilobed or hexalobed roses.

The building combines functionality and symbolism: the walls of the lower side, pierced by six ogival bays, let filter a sieved light, while the quadrilobed roses of the central nave diffuse a zenithal clarity. The sanctuary, paved with Mortemer stone and decorated with a painted coating, houses a corbelled stand above the porch. Local stones – rock for the columns, Senlis for the steps, Chaussoy-Epagny for the choir – highlight the church's territorial anchor.

The church of Saint James is part of the religious architectural renewal of the 19th century, marked by a return to medieval forms. Its plan and interior decorations (voûts, capitals, bays) illustrate the principles of neo-Gothic, popular for the reconstructions of churches in France at that time. The choice of durable materials and attention to acoustics (gypsum vaults) reflect a desire for lasting and liturgical functionality.

Although without explicit mention of his jacquarian vocation, the church could evoke, by its word, the links with the roads of Compostela, frequent for buildings dedicated to St James. However, the source text does not specify its role in a pilgrimage, or any associated local relics or traditions. Its history is limited to its reconstruction, without reference to later events or restorations.

External links