Construction begins XIe siècle (≈ 1150)
Central nave erected on Gallo-Roman remains.
vers 1150
Construction of the choir
Construction of the choir vers 1150 (≈ 1150)
Completion of Romanesque architecture.
2 novembre 1789
Sale as a national good
Sale as a national good 2 novembre 1789 (≈ 1789)
Transformed into stables during the Revolution.
19 février 1926
First classification (inscription)
First classification (inscription) 19 février 1926 (≈ 1926)
Partial protection of the priory.
1985
Purchase by the city
Purchase by the city 1985 (≈ 1985)
Bruère-Allichamps becomes owner.
9 août 2007
Final classification
Final classification 9 août 2007 (≈ 2007)
Historical monument of France.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Ranked MH
Key figures
Abbaye augustine de Plaimpied - Initial Administrator
Managed the priory in the Middle Ages.
Origin and history
The church of Saint-Étienne d'Allichamps, located at the place called "Allichamps-Domaine" on the commune of Bruère-Allichamps (Department of Cher), is a religious building of Romanesque architecture in Latin cross. Its construction probably began in the 11th century, with a central nave erected on ancient Gallo-Roman structures, of which elements were reused in the west wall. Originally, this parish priory is administered by the august Abbey of Plaimpied.
The church choir, attributed around 1150, completes the building. During the French Revolution, in 1789, the priory was sold as a national good and transformed into stables and barns, while preserving its 12th century bas-reliefs and sculptures, testimonies of medieval craftsmanship. Partial destructions (nef, cupola of the transept) have marked its history, but a restoration program is envisaged.
The church was bought by the city of Bruère-Allichamps in 1985. Originally listed in 1926, it has been listed as a historic monument since 2007. Its Latin cross plan includes a nave extended by a semicircular bedside, with a cul-de-four vault and a broken cradle roof. The capitals and modillons, intact, illustrate the mastery of 12th century sculptors.
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