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Church of Sainte-Marie de Roquefort dans les Landes

Patrimoine classé
Eglise romane
Chemins de Compostelle
Eglise fortifiée
Landes

Church of Sainte-Marie de Roquefort

    81 Rue Gambetta
    40120 Roquefort
Église Sainte-Marie de Roquefort
Église Sainte-Marie de Roquefort
Église Sainte-Marie de Roquefort
Église Sainte-Marie de Roquefort
Église Sainte-Marie de Roquefort
Église Sainte-Marie de Roquefort
Crédit photo : Jibi44 - Sous licence Creative Commons

Timeline

Moyen Âge central
Bas Moyen Âge
Renaissance
Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
1100
1200
1300
1400
1500
1600
1900
2000
1108
Foundation of the Priory
XIIIe siècle
Expansion and dependence of Saint-Sever
milieu XIVe siècle
Bedside fortification
1569
Partial destruction
1587
Restoration by Cosme de Lafitte
1996
Historical Monument
Aujourd'hui
Aujourd'hui

Heritage classified

Elements of the cimeterial enclosure, namely: gate and gate of ironwork, chapel Saint Joseph, cross, wall closing the whole west side (Box AM 60): inscription by order of 11 December 1995 - Church (cad. AM 60): Order of 28 November 1996

Key figures

Loup Aner - Viscount de Marsan Giver of land in 1108.
Cosme de Lafitte - Prior in the sixteenth century Directed the postwar restoration of Religion.
Clément IV - Pope Emits a bubble in 1266 confirming addiction.

Origin and history

Sainte-Marie Church, also called Notre-Dame de l'Assomption, is a Catholic building located in Roquefort (Landes), founded in the early twelfth century by the Abbey of La Sauve-Majeure on a plot given in 1108 by Viscount Loup Aner. Initially modest, it served both as a Benedictine priory dedicated to the Virgin Mary and as a parish church, separated in two parts by a wall. Its clover plan, typical of Benedictine constructions, reflects its connection with the mother abbey, with a central apse flanked by two lateral apsidioles.

In the 13th century, the church passed under the control of the Abbey of Saint-Sever, as evidenced by a pontifical bubble of 1266. It underwent successive enlargements between the thirteenth and seventeenth centuries, financed jointly by Benedictines and local jurats. In the 14th century, the town of Roquefort extended and built up a double enclosure; The church, located at the junction of the walls, is fortified, its roman bedside reinforced by foothills and transformed into a defensive structure. During the Wars of Religion (1569), it was partially destroyed by the Huguenots of Montgomery, then restored in 1587 by prior Cosme de Lafitte, who modified his bedside to stabilize it.

The architecture of the church combines Romanesque elements (absidioles of the 12th century) and Gothic elements (vetted nave of warheads, south gate). Its bell tower, often mistakenly confused with a medieval dungeon, actually dates from the 14th century and served as a watchtower during the Hundred Years War. Inside, wall paintings from the 18th and 19th centuries adorn the walls, while two paintings from the Assumption, one of which was rediscovered in 1951, recall its religious vocation. The building, classified as a Historic Monument in 1996, benefited from a major restoration between 2004 and 2016.

The Church of St Mary illustrates the transformations linked to the conflicts and the evolution of the cult: fortified to resist the assaults, it preserves traces of its monastic past (the burial of the monks, the missing cloister) and parish (armoured portail, door of the clots). Its funeral enclosure houses a chapel of Saint Joseph, probably burial of the family of Camon-Talence, added after the Wars of Religion. Ceded to the Benedictines of Bordeaux in 1638, it became a simple parish church, before being assigned to the cult of Reason during the Revolution.

Its history also reflects local tensions: looted during the Fronde (1648-1653) by royal troops in retaliation for the Roquefort revolt, it is occupied as barracks. The restorations of the 17th and 18th centuries (arc-butant of 1748, recast vaults) aim to repair these degradations. In the 19th century, aesthetic changes (corinthian capitals, stone stand) partially altered its medieval appearance, while wall paintings covered the walls in 1882. Today, it remains a major testimony of the religious and defensive heritage of the Landes.

External links