Fire of the first circus 1892 (≈ 1892)
Destruction of the circus of 1861.
1901
Circus Fire Pleège
Circus Fire Pleège 1901 (≈ 1901)
Second circus destroyed by fire.
18 mars 1905
Opening of the current circus
Opening of the current circus 18 mars 1905 (≈ 1905)
Opening of the stone building.
1930
Architectural changes
Architectural changes 1930 (≈ 1930)
Work by Tsaropoulos.
1967
Transformation into a congress hall
Transformation into a congress hall 1967 (≈ 1967)
New vocation for the building.
29 octobre 1975
Registration for historical monuments
Registration for historical monuments 29 octobre 1975 (≈ 1975)
Protection of facades and roofs.
1978
Renamed Théâtre de Champagne
Renamed Théâtre de Champagne 1978 (≈ 1978)
Become a city theater.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Facades and roofs: inscription by order of 29 October 1975
Key figures
Henri Schmit - Architect
Designer of the circus in 1905.
Denis Tsaropoulos - Architect
Edit the building in 1930.
Marcel Cerdan - Famous Boxer
Fighted in this circus.
Origin and history
The Municipal Circus of Troyes, built in the early 20th century, replaces two previous circuses destroyed by fires in 1892 and 1901. The architect Henri Schmit designs the existing stone building, inaugurated in 1905 on the Mail Preize. This versatile building hosts shows, boxing matches (like Marcel Cerdan), and various events. It symbolizes the municipal will to provide Troyes with a sustainable cultural place after past tragedies.
In 1930, architect Denis Tsaropoulos partially changed the structure. In 1967, the circus was transformed into a congress hall, marking an evolution towards more diverse uses. In 1975, it was registered as a historical monument and labeled "Heritage of the 20th Century" and renamed Théâtre de Champagne in 1978. This change reflects its adaptation to contemporary cultural needs, while preserving its architectural heritage.
The building, located on Gambetta Boulevard, has been protected for its facades and roofs since 1975. Owned by the municipality of Troyes, it now embodies both a living place of performance and a testimony of Troyan urban history. Its architecture, combining functionality and aesthetics, makes it an emblematic monument of the Great East, linked to the local cultural identity.
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