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Coat-Iles Garden in Taulé dans le Finistère

Patrimoine classé
Patrimoine des loisirs
Jardin
Finistère

Coat-Iles Garden in Taulé

    Le Bourg
    29670 Taulé

Timeline

Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
1700
1800
1900
2000
XVIIe siècle
Reconstruction of the mansion
4e quart du XVIIIe siècle
Transformation into a hunting lodge
1990
Historical Monument
Aujourd'hui
Aujourd'hui

Heritage classified

Coat-Iles Garden: Architectural infrastructures including the nyumphee with its stairs, terrace support walls and the enclosure wall (cad. A 667): entry by order of 9 October 1990

Key figures

Information non disponible - No names cited in the sources Owners or architects are not mentioned.

Origin and history

The Coat-Iles Garden in Taulé, Brittany, is one of the few remains of an important seigneury rebuilt in the seventeenth century, probably on the foundations of an older mansion. From this period remain the dovecote, the gate and the entrance pavilion, testimonies of the former prestige of the place. At the end of the 18th century, the whole was thoroughly redesigned: the original manor house was replaced by a hunting lodge, now very restored, while subsequent additions (XIX-20th centuries) altered its western facade, in particular.

The garden, the most remarkable element of the site, was designed to fit perfectly into the home. Organised in three terraces with neat retaining walls, it takes over the architectural lines of the house, with carved boxes evoking the stairs. These developments, along with the nymphae and its staircase, reflect a search for harmony between nature and construction, characteristic of the seigneurial gardens of the time. The whole, classified as Historical Monument in 1990, protects in particular landscape infrastructures (walls, terraces, enclosures).

Although the mansion has lost much of its original appearance, the Coat-Iles Garden remains a significant example of the art of gardens in Brittany, mixing medieval heritage (via seigneury) and classical influences of the 17th–15th centuries. Subsequent transformations, although criticized for their impact on the facade, did not alter the spirit of the place, where the arrangement of the outer spaces retains a rare historical coherence.

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