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Collégiale de l'Assomption-de-la-Vierge de Villemaur-sur-Vanne dans l'Aube

Aube

Collégiale de l'Assomption-de-la-Vierge de Villemaur-sur-Vanne

    65 Rue de Broyes
    51120 Aix-Villemaur-Pâlis

Timeline

Bas Moyen Âge
Renaissance
Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
1500
1600
1700
1800
1900
2000
1521
Construction of jube
1777
Achievement of the Chair
1972
Historical monument classification
Aujourd'hui
Aujourd'hui

Heritage classified

Ranked MH

Key figures

Thomas Guyon - Sculptor Author of the jube with his brother
Jacques Guyon - Sculptor Co-author of the jube of 1521
Jacques Prudhon - Carpenter Creator of the chair in 1777

Origin and history

The Collège de l'Assomption-de-la-Vierge, located in Villemaur-sur-Vanne in the Aube department, is a collegiate church classified as a historical monument since 1972. It is distinguished by its carved wooden jube, dated 1521 and attributed to the brothers Thomas and Jacques Guyon, a rare and precious architectural element. The building also preserves notable furniture, including 14th century funeral slabs and an eagle-shaped lutrin of the 16th century.

The furniture of the college includes a set of 16th century statues, such as a Saint Barbe in polychrome limestone or a carved group representing Mary and an angel. The remarkable pieces also include a 1777 pulpit to be preached, the work of carpenter Jacques Prudhon, and two 17th century copper commemorative plaques. Despite its rich heritage, the church has been subjected to thefts, including reliquaries such as that of Saint Flavit in Enamel of Limoges.

Villemaur-sur-Vanne, like many localities in the Aube, was a rural and religious place of life in the Middle Ages and modern times. Collegiate churches played a central role in community life, serving as a place of worship, gathering and preserving local memories. These buildings often reflected the prosperity and patronage of local families, as evidenced by the funerary slabs and commemorative plaques in the college.

The architecture and furniture of the college illustrate the evolution of artistic styles, from late Gothic to the classical period. The jube of 1521, for example, marked the transition between the flamboyant Gothic and the Renaissance, while the pulpit of 1777 reflected the 18th century craftsmanship. These elements make the building a valuable testimony to the religious and artistic history of the region.

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