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Collégiale Saint-Martin de Lorgues dans le Var

Patrimoine classé
Patrimoine religieux
Collégiale
Eglise de style classique
Var

Collégiale Saint-Martin de Lorgues

    Place de l'Eglise
    83510 Lorgues
Collégiale Saint-Martin de Lorgues
Collégiale Saint-Martin de Lorgues
Collégiale Saint-Martin de Lorgues
Collégiale Saint-Martin de Lorgues
Collégiale Saint-Martin de Lorgues
Collégiale Saint-Martin de Lorgues
Collégiale Saint-Martin de Lorgues
Collégiale Saint-Martin de Lorgues
Collégiale Saint-Martin de Lorgues
Collégiale Saint-Martin de Lorgues
Collégiale Saint-Martin de Lorgues
Collégiale Saint-Martin de Lorgues
Collégiale Saint-Martin de Lorgues
Collégiale Saint-Martin de Lorgues
Collégiale Saint-Martin de Lorgues
Collégiale Saint-Martin de Lorgues
Crédit photo : SombreSanglier - Sous licence Creative Commons

Timeline

Bas Moyen Âge
Renaissance
Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
1400
1500
1600
1700
1800
1900
2000
1421
College erection
1704
Construction begins
1729
Completion of work
1728-1740
Major interior arrangements
1879
Bedside restoration
10 avril 1997
Historical monument classification
Aujourd'hui
Aujourd'hui

Heritage classified

Church (Box M2 991): Order of 10 April 1997

Key figures

Cardinal de Fleury - Bishop of Fréjus and Prime Minister of Louis XV Placed the first stone in 1704.
Verrier - Architect Designs the plans of the current college.
Pomet - Mason or entrepreneur Finished the masonry around 1730.
A. Guérin - Architect or craftsman Restored the roof of the bedside in 1879.

Origin and history

The collegiate Saint-Martin de Lorgues, located in the Var department in Provence-Alpes-Côte d'Azur, finds its origins in the 15th century. In 1421, the bishop of Fréjus built a collegiate church in the old town. This original building was replaced by the current building, the construction of which began in 1704 under the impulse of Cardinal de Fleury, then bishop of Fréjus and future prime minister of Louis XV. The first stone was laid with a solemn inscription mentioning the year 1704, the pontificate of Clement XI and the reign of Louis XIV. The work was completed in 1729, giving birth to a 56-metre-long, 31-metre-long, classical church, composed of a central nave and two collaterals.

The church was listed as a historic monument on April 10, 1997, recognizing its heritage value. Its architecture, designed by the architect Verrier, incorporates cutting stone elements for facades and carrier structures, while the walls and vaults are made of stonework covered with coating. The bell tower, covered with lead, contrasts with the rest of the building covered with hollow tiles. Inside, the collegiate house houses remarkable furniture, including a high altar, a altarpiece dedicated to Saint Martin, and a statue-reliquary of the saint. A large organ of gallery completes this ensemble, testifying to the artistic richness of the time.

The history of the college is marked by several phases of work and beautification. Between 1728 and 1740, the main interior fittings were carried out, followed by regular repairs, such as the structure of the choir in 1762 or the restoration of the roof after damage caused by lightning in 1845-1847. In the 19th century, notable changes included the construction of the gallery in 1826 and the restoration of the pyramidal roof of the bedside in 1879. The restorations continued in the 20th century, with interventions on the frame in 1973 and on the roofs of the bell tower and the nave in 1993, ensuring the sustainability of this religious and architectural heritage.

The Collège Saint-Martin embodies the importance of religious buildings in Provencal community life. In the 18th century, collegiate women played a central role in the spiritual, social and cultural life of cities. In Lorgues, as in other cities of Provence, these churches served as a gathering place for religious services, festivals and local decisions. Their construction often reflected the economic prosperity of the region, supported by influential sponsors, such as bishops or local notables. The classical architecture of the college, with its harmonious proportions and sober decor, illustrates the evolution of religious styles after the Counter-Reform, marking a return to rigour and clarity.

The furniture of the collegiate church, including altars, statues and altars, bears witness to Marian devotion and local cults, including that of Saint Martin, patron saint of the church. These elements, often made by regional artisans, reflect the artistic know-how of the period and stylistic influences from Italy or the royal court. Organs played an essential role in liturgy and ceremonies, emphasizing the link between sacred music and religious life. Today, the college remains an active place of worship, while attracting visitors for its architectural and historical heritage.

External links