Initial constitution of collections Années 1970-1980 (≈ 1975)
Collection by Sedima from farmers.
1990
Initial museum inventory
Initial museum inventory 1990 (≈ 1990)
250 machines and 170 drawings listed.
1986 et 1998
Donations from the National Agricultural Institute
Donations from the National Agricultural Institute 1986 et 1998 (≈ 1998)
Major enrichment of collections by deposits.
2012
Transfer of the Rural and Agropolis-Museum collections
Transfer of the Rural and Agropolis-Museum collections 2012 (≈ 2012)
Integration of closed museums labeled.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Key figures
Information non disponible - No key character mentioned in the source.
The source text does not mention any individual actors.
Origin and history
The Conservatoire of Machinism and Agricultural Practices (Compa) was built around a collection of machines and tools illustrating the history of agriculture and its mechanization between 1800 and 1960. Its collections, originally formed in the 1970s-1980s thanks to the Sedima (Syndicat des entreprises de distributions de machines agricoles), were enriched by donations from the Institut National Agronomique de Paris-Grignon in 1986 and 1998. At its beginning, the museum had 250 machines and 170 drawings; Today, it lists more than 8 000 pieces, covering also the trades related to agriculture (bourreterie, maréchalerie) and the representations of the rural world.
The collections have diversified to include prints, posters, photographs and even a collection of agricultural toys, the most important in France. In 2012, the Compa integrated the collections of the Musée des Ruralies (near Niort) and Agropolis-Museum (Montpellier), two closed museums having received the label Musée de France. The site also houses contemporary works of art (sculptures, installations) and a 1905 SNCF rotunda, highlighting its anchor between technical and artistic heritage.
The Compa is distinguished by remarkable sets such as 200 ploughs, historic tractors (from the first American models in the 1960s), and iconic machines such as the first McCormick harvester. Its iconographic background, consisting of 300 original photographs and 400 graphic works, sheds light on the social and technical changes in the rural world. Labeled Musée de France, it plays a key role in preserving national agricultural memory.
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