Arrival of nuns 1639 (≈ 1639)
Transfer from Epinal to Neufchâteau
1645
Official Foundation
Official Foundation 1645 (≈ 1645)
Letters patent of Duke Charles IV
1760-1762
Chapel and convent construction
Chapel and convent construction 1760-1762 (≈ 1761)
Final site development
1792
Sale as a national good
Sale as a national good 1792 (≈ 1792)
Become gendarmerie and then court
1801-1802
Rehabilitation in court
Rehabilitation in court 1801-1802 (≈ 1802)
Works by Abel Mathey on the church
1829
Theatre development
Theatre development 1829 (≈ 1829)
Project by Claude-Christophe Corroy
1891-1892
Reconstruction of theatre
Reconstruction of theatre 1891-1892 (≈ 1892)
Plans of the architect Grandidier
2012
Registration historical monument
Registration historical monument 2012 (≈ 2012)
Official protection of the convent
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
The former convent (Box AH, see plan annexed to the decree): inscription by order of 15 May 2012
Key figures
Duc Charles IV - Sponsor
Officialize the foundation in 1645
Abel Mathey - Architect
Redesignation of the church in court (1801-1802)
Claude-Christophe Corroy - Architect
Set up theatre in 1829
Grandidier - Architect
Reconstructs theatre (1891-1892)
Origin and history
The Convent of the Congregation Notre-Dame de Neufchâteau was founded in the 17th century by nuns from Epinal. In 1645, Duke Charles IV formalized their installation by letters patent. The chapel and the convent buildings, built between 1760 and 1762, replaced a first temporary settlement. The site, marked by monumental architecture (doric pilasters, ionic pediment), reflects the religious influence of the period.
During the Revolution, the convent was sold as a national good and converted into a gendarmerie (1792). As early as 1798 he became a tribunal: architect Abel Mathey rearranged the church in the courtroom (1801-1802), dividing its volume into two levels. The 18th century stalls and the rock decorations of the choir, transformed into an office, bear witness to this functional transition.
In the 19th century, the western wing was converted into a theatre by Claude-Christophe Corroy (1829) and rebuilt by Grandidier (1891-1892). The building, used as a court until 2009, was listed as a historical monument in 2012. Its U-shaped plan, its laurels-adorned façade and its preserved interiors make it a rare example of heritage adaptation.
The building retains original elements such as the vegetal stucco of the audience hall or the twin pilasters of the choir. His history illustrates the political (Restauration, Revolution) and cultural (theatre, justice) changes of Neufchâteau, while anchoring the monument in the urban landscape, Place Jeanne d'Arc.
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