Presumed origin XVe siècle (2e moitié) (≈ 1550)
Estimated period of initial construction.
1878
Movement and restoration
Movement and restoration 1878 (≈ 1878)
Moved to the current cemetery.
15 juin 1925
Registration for Historic Monuments
Registration for Historic Monuments 15 juin 1925 (≈ 1925)
Official protection of the monument.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
The Cross (Box E 451): inscription by order of 15 June 1925
Key figures
Information non disponible - No character cited
Sources do not mention any related historical actors.
Origin and history
The cemetery cross of Kernascleden is a historical monument located in the cemetery of the municipality of the same name, in Morbihan (Brittany). Built in the 16th century, this stone cross is distinguished by its elaborate base, an old altar adorned with bas-reliefs representing major religious scenes: the Last Supper, the Tombing, the Downhill Descent and the Resurrection. Its architecture combines Gothic elements, such as rinceaux and committed columns, reflecting the Breton funerary art of the time.
Originally placed in the former Kernascleden cemetery, the cross was moved in 1878 to its current location, as evidenced by the date engraved on its base. This relocation coincides with a partial restoration of the monument. The cross has been protected as historical monuments since June 15, 1925, recognizing its heritage and artistic value. His iconography, including Christ in crocifixion on the front and the Virgin Mary on the back, makes him a remarkable example of Breton calvaries.
The base of the cross, functioning as an altar, presents a salient table decorated with mouldings and surmounted by columns at the corners. The four sides of the altarpiece illustrate biblical episodes in bas-relief, while the upper part, in the form of a calvary, dominates the whole. Although restored, the cross retains traces of its late medieval origin (2nd half of the 15th century according to some sources), while integrating stylistic elements of the 16th century. Today owned by the municipality, it remains accessible in the enclosure of the current cemetery.
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