Erection of the Cross 1779 (≈ 1779)
Ordered by the abbesse Marie-Charlotte de Lugeac
4e quart XVIIIe siècle
Construction period
Construction period 4e quart XVIIIe siècle (≈ 1887)
Late baroque style in wrought iron
11 juin 1930
Historical monument classification
Historical monument classification 11 juin 1930 (≈ 1930)
Registration by ministerial decree
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Forged iron cross dated 1779: inscription by order of 11 June 1930
Key figures
Marie-Charlotte de Guérin de Lugeac - Last abbess of Lavaudieu
Sponsor of the cross in 1779
Chossegros de Lavourgnes - Artisan blacksmith
Author of the signed cross
Origin and history
The wrought iron cross of Lavaudieu is a monumental work dated 1779, located on the church square, in front of Saint-André Abbey, in the village of Lavaudieu (Haute-Loire, Auvergne-Rhône-Alpes). It was commissioned by Marie-Charlotte de Guérin de Lugeac, the last abbesse of the abbey, and directed by the artisan Chossegros de Lavourgnes. Its late baroque style, marked by volutes and inflamed motifs, makes it a rare example of an open metal cross of this period.
The structure rests on two parallel iron rods, supported by a interlacing of volutes ending in rinsels. At their intersection, a radiant diamond evokes stylized flames, while the ends of the arms have more sober patterns. The base has an openwork plate with the inscription: "Chossegros de Lavourgnes, 1779, Charlotte de Lugeac", attesting to its origin and precise dating.
Ranked a historical monument by decree of 11 June 1930, this cross illustrates the religious patronage of local elites on the eve of the French Revolution. Its location in front of the Abbey, founded in the 11th century, highlights its role in the spiritual and community life of Lavaudieu, a village marked by its medieval heritage and monastic history.
The techniques used — wrought iron, openwork cuts and complex assemblies — bear witness to the expertise of the 18th century blacksmiths. The cross is distinguished from traditional stone or wood models by its material and dynamic aesthetic, perhaps reflecting the influence of the decorative arts of the time.
Today owned by the commune, it remains a symbol of the link between art crafts and religious heritage in Haute-Loire. Its preservation allows us to study the stylistic evolutions of monumental crosses, as well as the role of abbesses in ordering public works before the secularization of ecclesiastical goods.
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