Artistic inspiration 1505 (≈ 1505)
Date of the engraving of Dürer.
XVe siècle - première moitié XVIe siècle
Construction of the cross
Construction of the cross XVe siècle - première moitié XVIe siècle (≈ 1625)
Period of construction of the monument.
1926
First MH ranking
First MH ranking 1926 (≈ 1926)
Protection for historical monuments.
2011
New MH classification
New MH classification 2011 (≈ 2011)
Total protection of the cross.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
The entire cross (Box ZBV 95, Lieud La Croix-aux-Crées): by order of 24 May 2011
Key figures
Curé de Polisy - Donor
Offered the cross in the 16th century.
Albrecht Dürer - Inspiring Artist
Author of the skull engraving.
Origin and history
The cross of path known as the parish cross is an emblematic monument located in Polisy, in the department of the Aube, in the Grand Est region. Dated between the 15th century and the first half of the 16th century, it is on the way to Arrelles. This cross of intersection, 5.42 meters high, consists of a two-part cask: a square base decorated with twisted columns and a polygonal upper part. It is surmounted by a Virgin to the Child and a Christ on the cross, surrounded by plant motifs. An inscription, now erased but known by a 19th century drawing, evokes the hope of the faithful.
The cross was offered by the parish priest of Polisy at the beginning of the sixteenth century, as evidenced by the representation of the kneeling donor, turned towards Christ. The base of this figure bears a coat of arms of death, symbolized by a skull, inspired by an engraving by Albrecht Dürer dated 1505. This macabre theme, typical of the late Middle Ages, reflects the spiritual concerns of the time, including the quest for salvation. An inscription in Gothic letters, along with other texts engraved near the shield, underline the religious and memorial dimension of the work. Ranked a historic monument in 1926, and again fully protected in 2011, this cross belongs today to the municipality of Polisy.
The monument illustrates the devotional and artistic practices of the transition between the Middle Ages and the Renaissance. Decorative motifs, such as foliage and twisted columns, bear witness to a refined craftsmanship. The representation of the donor, combined with mortality symbols, recalls the importance of pious gifts for the salvation of the soul. Finally, the location of the cross at a crossroads underlines its role in the daily life of the inhabitants, marking a place of prayer and gathering. This type of monument, common in the countryside, also served as a geographical and spiritual landmark for travellers and pilgrims.
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